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Film Review: “Coyote vs. Acme” Gives Wile E. Coyote His Day in Court

August 28, 2026
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This lively live-action/animation hybrid turns the Road Runner cartoons’ eternal loser into a surprisingly moving plaintiff—and takes sharp aim at corporate impunity along the way.

Weekly Feature: Poetry at The Arts Fuse

August 27, 2026
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This week’s poem: Buck Downs’s “solitaire for voices”

Film/Album Review: Sara Bareilles’s “Good Grief” Turns Loss into Communion

August 27, 2026
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Josh Alexander’s intimate studio documentary follows Sara Bareilles and her collaborators as they shape songs of infertility, bereavement, friendship, and collective consolation.

Film Reviews: “It Ends” and “The Dog Stars” — Apocalyptic Fizzles

August 26, 2026
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Not much bang and plenty of whimper

Theater Review: John Turturro Resists the Herd in A.R.T.’s “Rhinoceros”

August 25, 2026
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Director Diane Paulus’s high-spirited A.R.T. adaptation of Ionesco’s anti-conformist play sometimes overplays its comic business, but John Turturro’s scruffy, strident, anguished Berenger gives the production its necessary mix of horror, humor, and desperate resistance.

Film Retrospective: “Taxi Driver” at 50 –The Lonely Man Is Still Out There

August 24, 2026
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Martin Scorsese’s feverish New York classic remains a master class in urban atmosphere and subjective filmmaking—and a chilling study of how alienation curdles into violent fantasy.

Book Review: “The Black Shield” — A Family’s Reckoning with Policing and Power

August 24, 2026
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Wilbert L. Cooper examines the paradox of Black police officers seeking safety and status inside an institution shaped by racial violence.

Dance Preview: Dancing the Odissi in my Spine — Bijayini Satpathy’s New Journey

August 24, 2026
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In her Boston solo premiere, “Rāgachitra,” the former Nrityagram artist draws on a lifetime in classical Indian dance to create searching, contemporary works shaped by memory, mythology, gender, and an inward turn.

Book Review: “The Eighth Wonder” Traps a Drifting Man in a Dream of Doubt

August 23, 2026
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In Vlady Kociancich’s newly translated Argentine novel, an indecisive Buenos Aires lawyer wanders through Berlin, cinema, erotic fantasy, and a reality that may be entirely of his own making.

Film Review: “Peter Asher: Everywhere Man” – Yeah, Baby, Yeah!

August 21, 2026
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An exuberant documentary traces the British Invasion star’s serendipitous path from Peter and Gordon to producing James Taylor and Linda Ronstadt.

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