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Jazz Album Review: The Lynne Arriale Trio’s “Being Human” — An Expected Joy

March 11, 2024
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 The dynamics of this splendid trio album, “a response to the division and turmoil in our world,” are gracefully balanced.

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Book Review: “The Amen Effect” — Call It Pastoral Community Organizing

March 11, 2024
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This small volume is apt to become a classic that is passed hand to hand.

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Coming Attractions: March 10 through 26 — What Will Light Your Fire

March 10, 2024
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Our expert critics supply a guide to film, dance, visual art, theater, author readings, and music. More offerings will be added as they come in.

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Concert Review: Hurray for the Riff Raff — Ringing Loud and Clear

March 10, 2024
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“The Past is Still Alive” hones Alynda Segarra’s songs to an accessible Americana that allows their travelogue-tinged tales to nestle in ways both literal and metaphorical. It’s one of the best records of the nascent new year.

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Opera Reviews: BLO and Enigma Chamber Opera Serve Up a Feast of Music and Drama

March 9, 2024
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Some may continue to lament the (supposed) dearth of opera in Boston, but an honest look at these enterprising companies suggest that vivid stories are being told with invention and economy.

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Book Review: More Hilarious Satiric Depravity From Vladimir Sorokin — The Tsars My Destination

March 9, 2024
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Russian satirist Vladimir Sorokin’s excremental vision triumphs in two new translations.

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Book Review: “A Grave Robbery” — Adventures of a Kick-Ass Victorian Feminist

March 9, 2024
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As in her previous thrillers, Donna Raybourn’s dry wit serves double duty: defining our erudite heroine and presenting her view of a world that does not know what to make of her.

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WATCH CLOSELY: “Griselda” — Queenpin of a Criminal Empire

March 8, 2024
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Sofia Vergara’s performance as drug queenpin Griselda Blanco, in the limited series “Griselda,” is no less than career-defining and unforgettable.

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Rock Album Review: Kim Gordon’s “The Collective” — Ensnared in Anxieties

March 8, 2024
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The album’s layers of thick and swampy sound make Kim Gordon’s anxious point.

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Opera Album Review: A Resplendent First Recording of a Forgotten Opera by the Composer of “Manon” and “Thaïs”

March 8, 2024
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With Egyptian-born Amina Edris in the title role, Massenet’s opera engages the musical and theatrical imagination with its rich characterizations of Greek mythic adventures.

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