Music

Classical Album Reviews: “For Clara” and “Bach Minimaliste”

September 26, 2023
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Reviews of Hélène Grimaud’s latest homage to Clara Schumann and La Tempête investigates seeming stylistic overlaps in the music of J. S. Bach, Henryk Górecki, Jehan Alain, Knut Nystedt, and John Adams.

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Concert Preview: The Tedeschi Trucks Band — Touring With Swagger

September 25, 2023
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Susan Tedeschi has developed a way to assert her powerhouse presence without upending the overall balance of the big band.

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Opera Album Review: A Sprightly First Recording of Auber’s Love-Potion Opera

September 23, 2023
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Auber’s 1831 “Le Philtre” (“The Love Potion”) is an engaging romp that helped give birth to Donizetti’s “L’elisir d’amore.” Immensely popular in his own day, why isn’t it revived more often?

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Electronic EP Review: DE DE MOUSE & Shin-Ski’s “Rainbowtime” – The Consolation of Creation

September 23, 2023
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By Jeremy Ray Jewell Call it lofi or chillwave. Whatever it is, it’s worth it. Daisuke Endo, a.k.a. DE DE MOUSE, has released his new EP, Rainbowtime, in collaboration with fellow Japanese artist Shin-Ski. It is, as Endo describes it, based on “the theme of a world connected to fantasy during the magic time of…

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Jazz Album Review: “Basie Swings the Blues” — Blues-Soaked Big Band Jazz

September 21, 2023
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It’s good to hear the Basie band stretch. But it’s even better to hear them exult the blues with their own time-honored style leading the way.

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Concert Review: Janelle Monáe — As a Performer, The Real Deal

September 20, 2023
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Janelle Monáe’s an impressive singer and capable rapper but she is indeed phenomenal as a performer, showing keen attention to the craft.

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Concert Review: Outlaw Festival 2023 — Defying Expectations

September 20, 2023
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Refusing to bow to conventional expectations of aging is just one more outlaw accomplishment that is part of Willie Nelson’s incredible legacy.

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Jazz Concert Review: The Walter Smith III Quintet, Live at the Regattabar

September 18, 2023
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The Regattabar, located in the Charles Hotel, re-opened after being shuttered for three years following the Covid epidemic.

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Opera Review: Boston Lyric Opera’s “Madama Butterfly” — A Problematic Update

September 18, 2023
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The Boston Lyric Opera’s production was a reminder that Puccini’s score is sure to stand the test of time, even when valiant attempts to make the opera’s storyline more palatable fall short.

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Classical Album Review: Telegraph Quartet’s “Divergent Paths”

September 17, 2023
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A charming rendition of Ravel serves as a perfect foil to the rigors of the Schoenberg, which, tough nut though it remains, here gets just the sort of devoted advocacy it requires.

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