Review
Jonathan Suazo’s exhilarating, roots-conscious celebration of Puerto Rican and Dominican traditions is the standout, while Ray Obiedo assembles an expertly chosen cast for a consistently engaging, groove-rich set.
David Robert Mitchell’s affectionate, unsettling return to an early-’80s Detroit suburb brings Spielbergian wonder and suburban anxiety into collision—though its dinosaur-driven black comedy eventually wears thin.
A retrospective survey of a photographer who has long worked at the intersection of art, activism, and community.
Jesse Kauffman’s sweeping history links the imperial collapse of 1905–1921 to the nationalist conflicts that still shape the region today.
On Boston’s Commonwealth Avenue Mall, 100 handcrafted elephants turn an exuberant family attraction into a persuasive call for human-wildlife coexistence.
At 52 Sumner, the 27-year-old guitar virtuoso and his crack band moved freely among blues, soul, funk, R&B, and rock — making a compelling case that Ingram is ready for much larger rooms.
This ambitious catalogue is strongest when it treats Rothko’s paintings as shifting perceptual structures—and weakest when it resolves them into metaphysical comfort.
Douglas Tirola’s documentary draws on a remarkable archive to make Leonard Bernstein’s musical, political, and moral commitments feel urgently contemporary.

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