Review
I encourage anybody interested in the current state of opera to get to know Michael Dellaira’s “The Leopard”.
Read MoreViolinist Kristin Lee revels in ragtime; pianist Jihye Chang commissioned a series of keyboard etudes from eight Boston-based composers.
Read MoreConductor Robert Treviño celebrates what we might call the dawning of the North American vernacular school; composer Ethan Iverson displays a fascination with instrumental color.
Read More“Queer” breaks new artistic ground for an artist whose visionary talent is already well-established.
Read MoreIt may be shot in B&W, but “Day of the Fight” is not a retread of “Raging Bull” — though Joe Pesci is present.
Read MoreChildren will delight in two books that celebrate creativity and imagination, and one that shows a new way of seeing the world through maps.
Read MoreYa gotta understand — corporate assholes are like Sauron’s boss, Morgoth. They are incapable of creation. They can only appropriate and warp, like how Morgoth appropriated and warped Elves to create Orcs.
Read MoreBoth Stereophonic and Babemake compelling drama out of the volatile world of pop music-making.
Read MoreA look at three exhibitions by New England artists who are concerned about climate change and gun violence.
Read More“What Comes from the Night’ testifies to John Taylor’s complex bond with nature, a generous alliance that includes moments of introspection and melancholy.
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