Review
Double Edge Theatre revives its 2015 roaming spectacle of ecological grief, political resistance, and communal art.
Daniel Mason’s latest novel trades the ambition of “North Woods” for a lighter, self-satisfied satire of intellectual life.
At Agganis Arena, the guitarist led a genre-spanning set from tight harmonies to deep-space jams.
Director Robb Moss’s latest revisits countercultural lives in later years, while “Amazing Live Sea Monkeys” probes a bizarre empire shadowed by exploitation and extremism.
In “The Age of Migration,” Kai Maristed follows displaced characters through political danger, private desperation, and unexpected acts of survival.
Separated by 35 years, new releases from Blake–Eade and Goodrick–Hersch illuminate jazz at its most intimate—where interpretation, history, and shared sensibility converge.
A pair of concerts at the Shalin Liu Performance Center paired elegy, bite, and virtuosity in vividly different ensemble settings.
A rare, must-see gathering of Paul Klee’s satirical and prophetic drawings reveals how his angels, dictators, and “degenerate” visions saw Nazi Germany all too clearly.
“Recomposed” finds music poised between imaginative possibility and the entrenched economics driving environmental harm.
The Guess Who and Don Felder bring skill and spirit to Boston, though nostalgia comes packaged with more than a few modern annoyances.
The Annual Francis Davis Jazz Critics Poll at Mid-Year: Warming Up a Riff — How It Happened, and Why It Matters