Review
At the ICA, the violinist and vocalist conjured immersive textures and inventive loops, but her day-in-the-life concept remained elusive.
Philippe Jordan leads an exuberant, dramatically charged performance, with radiant soloists and a fervent Tanglewood Festival Chorus.
With Terry Bozzio replacing Danny Carey, the King Crimson offshoot expands its repertoire and lets its guitars roam, but finds mixed results in the rhythm.
At Maine’s Waldo Theatre, Shannon A. Mullen plays both men in an engaging world premiere that hints at deeper possibilities for exploring art, privilege, and truth.
On “Made in Chicago,” Lalah Hathaway turns family memories and hometown roots into a dreamlike journey through soul, jazz, and R&B.
The celebrated producer and guitar master led his trio through an intimate set of atmospheric textures, gospel harmonies and mesmerizing pedal steel.
Takashi Yamazaki goes bigger, darker, and more explicitly anti-American in a sequel whose jaw-dropping destruction outmuscles its uneven human drama.
A compelling cast brings warmth, humor, and resolve to Front Porch Arts Collective’s stirring portrait of Black washerwomen fighting for their rights in 1881 Atlanta.
Gracie McGraw anchors an exhilarating world-premiere rock opera, despite uneasy handling of its darker themes.
In “Vega’s Fugitive,” translator Alyssa Dinega Gillespie brings the Russian poet’s fierce sound and emotional intensity into English.
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