There’s a looseness, a jagged brio that gives the images in ¡Printing the Revolution! a visual bang — a kind of primal pop.
Museums, now reopened in New York, are trying to coax visitors into their galleries. With two exhibitions, it’s working.
All four budgets that Donald Trump and his sycophants sent to Congress had nada for the arts and humanities.
Today’s increasingly heated argument about architectural preservation revolves around discerning which pieces of the past are worth saving, which buildings are valuable to our present and future.
Steeped in technology, non-traditional public art is about sparking conversations about visuals as well as playing with contemporary aesthetic perspectives.
As we move into the 21st Century, with the Climate Crisis and consumerism on the rise, the Shaker’s “less is so much more” sensibility takes on even more significance, practical as well as spiritual.
At a time when ambitious women of any sort were often harshly criticized for pursuing a professional career, Barbara Rose only forged on.
The Dwight D. Eisenhower Memorial is the latest product of our heated social/political/cultural debates about America’s memorials and their vision of the country’s past, present, and future.
In a time when everyday seems like Wednesday, creative use of new media is a visual and experiential bridge to our new and hopefully innovative normal.
Long live Fluxus, with its questionable boxes of ephemera, its baggy bags of soil, and its mad prankster sensibility.