Visual Arts
Yun Ko-eun’s novel is a good, entertaining read that proceeds by a kind of literary Zeno’s Paradox: forever on the verge of some Big Revelation or vague Deeper Meaning without ever actually reaching them.
Although the work seems timeless, its modernity reflects a culture that reveres its age-old traditions and preserves them over many generations.
Viewing John Singer Sargent and his art through the lens of identity studies and LGBTQ history supplies new insights into claims about his homosexuality.
The intent was to create a winter display that had no religious message but that would illuminate The Mount at this darkest time of year, that would call attention to its wintry beauty.
It’s as if the curators of this BPL exhibit are warning us that the future of our democracy depends on our paying attention.
As an artist, Allan Crite was always observing, drawing, and thinking about his Boston—the buildings, streets, parks, and playgrounds of Lower Roxbury and the South End.
I found it remarkable to explore the exhibition, then experience a kind of filmic audience with the artist, then return, fired up and enlightened, to the beautiful installation.
The exhibit highlights the interplay between Grace Hartigan and the circle of modern poets who became her friends, supporters, and in some cases, patrons.
Mario Diacono’s works were a guide – a guide to see and think deeply about words and images.
Design Review: The Look of the 2026 Milano Cortina Winter Olympic Games
The “Look” of the 2026 Games succeeds at what should be its elemental function — the connection of beauty, athleticism, celebration, and memory.
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