The show is made all the more powerful by the fact that we’ve now spent 12 months enduring Covid and four years of science denial and “alternative facts.”
What will the response be to this innovative marriage of Zoom theater and video gaming? Some viewers will welcome the mash-up, others will not.
It is difficult to think of a harder-working actor or one more devoted to his craft.
This is a very effective political drama, a relevant warning about what social critic Chris Hedges calls the formation of “corporate totalitarianism.”
Mint Theater Company’s choice to revive Days to Come is more intriguing than Lillian Hellman’s muddled play.
Amir Nizar Zuabi’s engaging drama is a hopeful testament to communication and forgiveness.
Our theater critics pick some of the outstanding productions of a year truncated by COVID-19.
Why are Boston stages reacting so serenely to our current miasmas — pandemical, political, economic, and spiritual.
A 50th anniversary is a wonderful milestone, and I congratulate the Revels for looking back and huzzahing the occasion as they have.
Ma Rainey’s Black Bottom is a stellar artistic accomplishment, a blazingly powerful dramatic experience.