Theater

Stage Commentary: Where’s the Fire? Boston Theater’s Cautious Return to Relevance

May 19, 2026
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After a year of safe revivals and recycled material, companies hint at change—but caution, celebrity casting, and déjà vu still dominate the lineup.

Theater Review: A Barrio-Born Oedipus That Engages, but Rarely Devastates

May 15, 2026
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Set amid the rituals and turmoils of barrio life, this contemporary take on “Oedipus Rex” trades Sophoclean complexity for theatrical vitality.

Theater Reviews: Two Shows on Broadway Attempt to Capture the Dark — “The Lost Boys” and “The Rocky Horror Show”

May 13, 2026
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Two beloved cult properties arrive on Broadway with formidable casts and decades of devotion behind them – but conjuring darkness turns out to be harder than it looks.

Theater Review: “Salesman” in the Void: Joe Mantello’s Haunting, Existential Revival

April 29, 2026
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The smoke drifting over the set is a metaphor for the mind-fogging rhetoric of Willy Loman’s phony boosterism. He has been adrift in an American dream that was a lie all along.

Theater Review: A Strong SpeakEasy Stage Cast Steers “Swept Away”

April 28, 2026
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SpeakEasy Stage’s musically rich production grips with its performances, even as the drama struggles to fully deepen its tale of a crisis at sea.

Theater Review: “Cats: The Jellicle Ball” and “Masquerade” – What a Bold Concept Can and Can’t Do for Andrew Lloyd Webber

April 23, 2026
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Two productions set out to reinvent Andrew Lloyd Webber’s back catalog. Only one of them succeeds.

Theater Review: “When Playwrights Kill” — A Wickedly Funny Backstage Farce About Art, Ego, and Desperation

April 16, 2026
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In this high-energy comedy of creative frustration, history—and hubris—repeat themselves to hilarious effect.

Theater Review: Spinning Kindness and Connection — “Charlotte’s Web” at Wheelock Family Theatre

April 8, 2026
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With its production of “Charlotte’s Web,” WFT has created a lovely, balanced experience — by turns obvious and full of nuance — that offers life lessons and the value of multigenerational sharing. 

Theater Review: Good Theater’s “Grand Horizons” — An Entertaining, At Times Unsettling, Domestic Dramedy

April 6, 2026
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A renovated and flexible performance space with unlimited free parking is what every theater company from Boston to Portland dreams of.

Theater Review: “The Comeuppance” — Reunions in the Age of Bad Choices

April 2, 2026
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The proceedings are continually involving, each of the performers supplying sufficient dramatic weight and interacting as a credible ensemble of characters rather than caricatures.

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