Film

Film Review: “Bernstein’s Wall” — A Vivid Portrait of the Artist as Activist

August 9, 2026
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Douglas Tirola’s documentary draws on a remarkable archive to make Leonard Bernstein’s musical, political, and moral commitments feel urgently contemporary.

Film Festival Reviews: “Scary Movies XIV” Finds Horror in Bodies, Landscapes, and Ecological Ruin

August 9, 2026
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This strong 2026 lineup ranges from a colonial nightmare in the Kalahari to a Japanese ghost story and Carlos Conceição’s chilling vision of cosmetic obsession amid climate catastrophe.

Film Review: “The Samurai and the Prisoner” — The Quality of Mercy is Strained

August 6, 2026
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Director Kiyoshi Kurosawa trades spectacle for suspense in a period thriller about honor, hostage, and haiku.

Film Review: “Wild Inside” — The Story of the Owl That Stopped New York

August 3, 2026
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In her wry, incisive documentary,  filmmaker Penny Lane turns an owl’s rise and fall into an unusually moving inquiry into animal sentience, urban spectacle, and the cost of liberation.

Film Review: “Young Mothers” Finds Grace in Hardship

August 2, 2026
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The Dardenne brothers’ latest film transforms a series of fragile stories about teenage motherhood into an unsentimental, deeply compassionate study of resilience.

Film Review: “Her Private Hell” — A Rorschach Test in Neon and Leather

August 1, 2026
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Nicolas Winding Refn’s baffling, vibe‑driven film trades narrative for fetish—and asks whether you still care what the critics think.

Film Review: Enlightenment Meets the Mountain in Louise Hémon’s “The Girl in the Snow”

July 30, 2026
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A turn-of-the-century schoolteacher’s idealism collides with alpine tradition—and the land itself—in a beguiling, sensorially rich debut.

Doc Talk: “Remake” — A Filmmaker Ponders a Career and a Life

July 30, 2026
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Documentarian Ross McElwee’s most profound film folds four decades of self-portraiture into a threnody for his son—and a meditation on memory, guilt, and cinema’s solace.

Film Review: Spider-Man vs. the Emotional Void

July 29, 2026
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The webslinger’s new outing has the cameos, the conspiracy, and the corporate logic. What it doesn’t have is heart.

Film Review: Alex Cox’s “Dead Souls” Recasts Gogol as a Spaghetti Western Fever Dream

July 28, 2026
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The punk auteur’s late-career swan song is ragged, witty, and politically sharpened, though not always as cohesive as its ambitions.

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