In the end, The Trial of the Chicago 7 strikes a reasonable balance between historical document and cinematic art.
White Noise is neither a polemic nor an exercise in agitprop: it is a journey into the dark center of a reprehensible movement that is growing more vocal every day.
Belushi is a warts-and-all look at one of comedy’s raging bulls.
Director Rubika Shah ends her film on this high note, but no one watching could conclude that the struggle is over
The 1979 documentary Town Bloody Hall is a time tunnel passageway into what stand-up comedians used to call “women’s lib.” It is still liable to raise a gendered ruckus — and provide a rollicking good time.
In his mostly successful filmic adaptation of Martin Eden, Italian director Pietro Marcello transposes with ease London’s Oakland novel to the seaport of Naples.
Defiant and tonally offbeat, French Exit mirrors, in a sense, its female protagonist, who doesn’t give a damn what the world thinks of her.
Covid-19 goes on, and, in public, our masked lives. At home, we can relax watching old movies. Here’s a 10th list of disparate favorites you can view on your computer.
I am a champion of “C” movie effects, the cheaper and clunkier the better. So huzzahs for Save Yourselves! and its tacky monsters from another planet.
Pitched in this era of hyper partisanship and sharp division, The Ground Between Us is notable because of the weight and balance it gives to the issues at stake.