Film
DC/DOX spotlights documentaries that confront the human cost of tourism, policing, and surveillance—alongside bold experiments in nonfiction form.
Director Christopher Nolan’s ambitious and challenging epic is an ode to the end of civilization.
Handsome yet not easily typecast, Sam Neill built a quietly remarkable career playing heroes, villains, lovers, weirdos, and everything in between.
At the Tribeca Film Festival, two dramas stood out among the narrative films—stark, street-level tales of addiction and a wintry queer love story turned murder mystery set on a Canadian ship.
This documentary about poet Mary Oliver is a moving study of solitude, partnership, and the stubborn power of wonder.
The Tribeca Film Festival is usually best represented by its outliers. This year, a few films earned that status.
Carla Simón’s dreamlike family drama merges mother and daughter, past and present, in a moving search for identity.
A ragged farewell that mixes new stunts with archival scraps as Johnny Knoxville and his merry band of masochists age out of self-destruction.
This ambitious adaptation finds its power in images, not in the novelist’s dense and elusive language.
The power of Ukrainian director Sergei Loznitsa’s film stems from its deep repugnance at an acceptance of the aesthetic and moral poverty of dictatorship.
Arts Commentary: When Books Become Evidence — Hong Kong’s Raids and the New Global War on Dissent