Film

Film Review: “Buddy” Turns Children’s-TV Cheer Into a Nightmare of Control

August 31, 2026
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Casper Kelly’s wildly unhinged horror-comedy, featuring Keegan-Michael Key as a murderous orange unicorn, finds dark laughs—and a sharp study of abuse—inside the artificial warmth of 1990s kids’ programming.

Film Review: “Coyote vs. Acme” Gives Wile E. Coyote His Day in Court

August 28, 2026
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This lively live-action/animation hybrid turns the Road Runner cartoons’ eternal loser into a surprisingly moving plaintiff—and takes sharp aim at corporate impunity along the way.

Film/Album Review: Sara Bareilles’s “Good Grief” Turns Loss into Communion

August 27, 2026
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Josh Alexander’s intimate studio documentary follows Sara Bareilles and her collaborators as they shape songs of infertility, bereavement, friendship, and collective consolation.

Film Reviews: “It Ends” and “The Dog Stars” — Apocalyptic Fizzles

August 26, 2026
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Not much bang and plenty of whimper

Film Retrospective: “Taxi Driver” at 50 –The Lonely Man Is Still Out There

August 24, 2026
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Martin Scorsese’s feverish New York classic remains a master class in urban atmosphere and subjective filmmaking—and a chilling study of how alienation curdles into violent fantasy.

Film Review: “Peter Asher: Everywhere Man” – Yeah, Baby, Yeah!

August 21, 2026
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An exuberant documentary traces the British Invasion star’s serendipitous path from Peter and Gordon to producing James Taylor and Linda Ronstadt.

Film Review: “Don’t Say Good Luck” Finds Grace in Grief, Theater, and Teenage Life

August 20, 2026
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Sunny Sandler gives a quietly affecting performance in a heartfelt, unsentimental coming-of-age drama about a high school musical, a mother’s cancer recurrence, and the precarious coexistence of sorrow and joy.

Book Review: “The Frenchmen” — When Literary Theory Was Cool, French, and Sexy

August 19, 2026
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In a lively blend of memoir, intellectual history, and philosophical primer, Emily Eakin revisits the French theorists who transformed American literary studies—and asks what their skepticism about language and power can still offer in the age of AI.

Film Review: “Teenage Sex and Death at Camp Miasma” — Slasher Summers, Reimagined

August 18, 2026
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Director Jane Schoenbrun’s seductive, funny, and unsettling meditation on horror, desire, and cinema turns summer-camp carnage into a tale of identity, intimacy, and renewal.

Film Review: “The End of Oak Street” — Dinosaurs in the ’Burbs

August 13, 2026
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David Robert Mitchell’s affectionate, unsettling return to an early-’80s Detroit suburb brings Spielbergian wonder and suburban anxiety into collision—though its dinosaur-driven black comedy eventually wears thin.

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