Film
The world almost makes sense at this year’s Salem Film Fest.
The hefty volume is consistently engaging and informative — a lively, visually appealing guide to one of cinema’s most formidable careers.
The documentary tries, perhaps a bit too hard, to turn the Grim Reaper into the Grin Reaper.
“Project Hail Mary” is an antidote to dystopias, real and imagined.
Film Feature: From the Sewers, With Love — BUFF’s New Directors Bring the Underground Back to Boston
“It’s spring; we rise again. BUFF’s back, we’re bringing hell with us. The underground is back.” — Phil Healy, co-director of the Boston Underground Film Festival
Film Review: Echoes of Passion — Arnaud Desplechin’s “Two Pianos” Plays on the Keys of Loss and Love
Here’s a drama that explores with uncommon pathos the ways that people confront—with grace or with fury—what they’re compelled to give up.
“Hoppers”‘ climax is a valuable reminder that none of us — from mammal to ant — are safe from the fury of a Mother Nature we have badly wronged.
The film’s intellectual friskiness is everywhere, and at times it takes centerstage at the expense of the story.
Reviews of “Josephine,: the film that won Sundance’s top award for 2026 and of “Aanookibijigan” and “The Gallerist”.
“Sirāt” is a heart-stopping, surreal reflection of our contemporary moment.
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