Film

Film Review: Billie Eilish’s Sacred Spectacle– James Cameron Captures a Pop Communion

May 7, 2026
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Director James Cameron’s 3D concert film captures the awe, pressure, and near-religious devotion of Billie Eilish’s fanbase.

Film Review: “The Devil Wears Prada 2” — Cerulean Idealism, Crimson Satire

May 6, 2026
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David Frankel’s wildly popular fashion fairy tale returns  with a biting media critique and Meryl Streep’s cucumber-cool Miranda facing down tech billionaires.

Film Review: “Blue Heron” — Director Sophy Romvari Turns Childhood Trauma into Art

May 5, 2026
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A fractured childhood remembered through a lens of distance and grief

Film Review: “Erupcja” is Peak Entertainment

May 3, 2026
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A volcanic comedy of fate and missed connections.

Fest Film Reviews: IFFBoston Round-Up — Docs of Dissent and Art in Focus

May 2, 2026
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Reviews of a pair of documentaries and arts-themed shorts at the IFFBoston.

Film Review: “Late Fame” — The Art of the Second Act

April 30, 2026
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Director Kent Jones explores aging, ego, and New York’s literary ghosts in a wry, performance-driven drama led by Willem Dafoe.

Doc Talk: In “Steal This Story, Please!,” the Free, Independent Press Persists

April 29, 2026
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A brisk, galvanizing portrait of “Democracy Now!”‘s Amy Goodman and the stubborn fight for adversarial journalism.

Fest Review: IFFBoston Shorts — Part Four

April 26, 2026
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Part four of a run-down of live-action narrative shorts. As usual for the IFFBoston, the quality is high, with intriguing subject matter and technical polish.

Film Festival Reviews: Berlin — A Vampire Returns and a Fascist Invasion Revisited

April 26, 2026
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The Berlin International Film Festival had two major premieres this year — a vampire parade and a war saga in Ethiopia.

Fest Review: IFFBoston Shorts — Part Three

April 25, 2026
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Part three of a run-down of live-action narrative shorts. As usual for the IFFBoston, the quality is high, with intriguing subject matter and technical polish.

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