The Ailey dancers’ demands around salaries and the length of their contracts reflect the resurgent strength of organized labor in the cultural sector.
The Just and the Blind sends a needed and powerful message — it is 2022, we need to wake up!
Sankofa Danzafro’s Accommodating Lie, is a bold work of art that delivers an indispensable history lesson.
“I believe artists create a safe space for unsafe ideas in our world.”
Energizing, joyful, expert, close to sure-fire, Chasing Magic was a great choice to reopen A.R.T. after the long pandemic shutdown.
Elizabeth Howard talks to Stephen Petronio, choreographer, dancer, and the artistic director of the Stephen Petronio Company, about what plans forward-thinking artists have for the future.
I can still feel the exhilaration, the rush of the opening of things, from that day.
Texturally, François-Xavier Roth and Les Siècles’ serve up diaphanous performances.
Contra-Tiempo sees the pandemic as an invitation for transformation: the performance questioned who we are, how do we move among each other, and what gives us joy.
Body and Soul generates a whirligig of passions — joy, frustration, pleasure, and rage.