Dance

Dance Review: The Akram Khan Company — Remembering, Selectively

July 10, 2026
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In “Thrikra: Night of Remembering,” Akram Khan’s searing imagery of female ritual and sacrifice is shadowed by what the work chooses not to confront.

Dance Review: Ilya Vidrin’s “Proxies” — The Opposite of Avatar

July 4, 2026
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A sensor-driven dance work probes embodiment, data, and the limits of technological intimacy.

Dance Review: After Five Decades, Pilobolus Still Moves Like No One Else

July 1, 2026
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Currently running at the Joyce Theater, “Trips” pairs classic Pilobolus works with new creations, reaffirming what has made the company one of dance’s most distinctive ensembles.

Dance Preview: Reclaiming the Social Heart of Dance

June 13, 2026
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Shakia Barron’s “The Gathering” transforms the stage into a shared space of rhythm, improvisation, and release.

Dance Review: John Lam’s New Company Finds Its Footing

May 19, 2026
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Lam Dance Works pairs visiting virtuosity with emerging dancers, revealing both the promise and growing pains of a young Boston troupe.

Dance Review: Dancing Between Traditions — Vimoksha’s Lush and Luminous Fusion

April 21, 2026
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A Boston-based ensemble blends Indian classical forms with contemporary dance to probe birth, patriarchy, and migration.

Dance Review: Angkor Troupe’s “Swan Lake” — Trauma into Triumph

April 19, 2026
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Turn the lake into a lotus pond and you can take it from there.

Dance Feature: Finding Comedy in Motion — Sara Juli and Alexander Davis Share the Stage

March 17, 2026
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With autobiographical wryness on the menu, Sara Juli and Alexander David is a match made in performance art heaven.

Dance Review: Gibney Company’s Chamber-Scale Brilliance Lights Up the ICA Stage

March 14, 2026
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The Gibney Company has brought a three-work evening to town that any chamber-sized contemporary dance company in the world would admire.

Dance Review: Trisha Brown Dance Company — Elegance, Wit, and Enduring Innovation

February 15, 2026
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The question was how well these mid-20th century works would hold up and how, with the passing of time, those dances would look to both familiar and fresh eyes.

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