The dance revolution of the 1960s and 70s seems to be making a comeback as dancers think about making their performances less artificial, more “natural.”
In this new biography, Ted Shawn is on display in all his narcissism, paternalism, hypocrisy, originality, and the dedication to creative expression that set American modern dance on its way.
We are immersed for 70-minutes in a powerful evocation of the destructive culture created by men who treat women as sex objects.
Black + White from the Fernanda Ghi Dance Company was provocative, dramatic, and oh-so-mysterious.
The performance I saw on Friday night revealed Boston Ballet’s priorities: while the dancers possess a high degree of technical skills, they have a looser notion of nuanced acting.
Anne Teresa De Keersmaeker invites the audience to let go of outside distractions and meditate on our own deeper feelings.
Red Sky Performance’s hold-your-breath physicality provides plenty of “wow factor.”
Gallim specializes in depicting raw emotions through movement.
A passion for authenticity characterized this mesmerizing program from beginning to end.
Fresh from choreographing a Tony award-winning revival of Oklahoma!, John Heginbotham presents a world premiere in the Hopkins Center for the Arts at Dartmouth College.