In the age of COVID-19, Arts Fuse critics have come up with a guide to film, dance, visual art, theater, and music — mostly available by streaming — for the coming weeks. More offerings will be added as they come in.
Preview
Coming Attractions: March 8 Through 24 — What Will Light Your Fire
Arts Fuse critics select the best in film, dance, visual art, theater, music, and author events for the coming weeks.
Music Preview: Electric Earth Concerts Powers Into its 9th Season
This writer heartily recommends a trip up north to hear a fascinating range of concerts featuring artists, ensembles, and repertoires of remarkable diversity.
Music Preview: Circles Around the Sun — Celebrating Legacies
Circles Around the Sun has established a distinctive niche within the expanding universe of “Grateful Dead as genre,” appealing to the core audience for Dead music without having to pull songs from the group’s songbook.
Theater Preview: “Citrus” — World Premiere of a Choreopoem
The stories in Citrus exhibit a powerful commonality: these portraits of th3e experiences of black women suggest that, over time, everything and nothing has changed.
Coming Attractions: February 23 Through March 10– What Will Light Your Fire
Arts Fuse critics select the best in film, dance, visual art, theater, music, and author events for the coming weeks.
Coming Attractions: February 9 Through 25 — What Will Light Your Fire
Arts Fuse critics select the best in film, dance, visual art, theater, music, and author events for the coming weeks.
Coming Attractions: January 26 through February 11– What Will Light Your Fire
Arts Fuse critics select the best in film, dance, visual art, theater, music, and author events for the coming weeks.
Jazz Preview and Appreciation: Cécile McLorin Salvant Is Coming to Jordan Hall
Cécile McLorin Salvant understands that she is heroic.
Opera Album Review: Oscar Wilde in the Opera House, Part 1 — Zemlinsky’s Intense Setting of “A Florentine Tragedy”
Salome is not the only strong opera based on an Oscar Wilde play. This one-acter by Zemlinsky deserves a place in the repertoire today.