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Film Festival Preview: Before the Awards — IFFBoston’s Fall Focus Expands Its Big-Screen Buffet

October 5, 2026
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Across two October weekends at the Brattle, the expanded 27-film series offers Boston audiences early looks at new work by Lee Chang-dong, Hirokazu Kore-eda, Ryusuke Hamaguchi, Martin McDonagh, Pedro Almodóvar, and more.

Classical Album Review: Steve Reich at 90 — The Pulse Still Holds

October 5, 2026
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ECM New Series’ reissue of the composer’s seminal early recordings restores their bite, rigor, and uncommon spiritual warmth.

Arts Commentary: The Distance Between Us and the Museum

October 5, 2026
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By Mark Pawlak For a working-class kid from Buffalo who once saw museums as places for other people, a lifetime among Cambridge and Boston collections became an education in class, access, exclusion, and the complicated act of looking. Any Sunday when the weather turns—low gray clouds, steady rain, the threat of snow—my thoughts drift toward…

Book Review: The King of the Cats Returns — Seamus Heaney’s Complete Poems and the Poetry of Justice

October 5, 2026
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In a monumental new gathering of his work, the Nobel laureate’s poems—of rural labor, private grief, history, and divided Northern Ireland—remain a moral force in a newly fraught moment.

Visual Arts Review: Esther’s Many Faces at the Gardner

October 4, 2026
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An incisive exhibition traces how Rembrandt, his Dutch contemporaries, and earlier artists remade a biblical story of concealment, power, and survival.

Jazz Album Review: The Art of Vocalese — Janis Siegel’s Jazz History Lesson

October 3, 2026
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Janis Siegel’s first project since the Manhattan Transfer’s 2023 dissolution honors the lyric-driven jazz practice shaped by Eddie Jefferson and Lambert, Hendricks & Ross.

Author Interview: Joseph Horowitz on Anton Seidl and the Lost Promise of American Classical Music

October 3, 2026
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In “The Disciple: A Wagnerian Tale of the Gilded Age,” the cultural historian and novelist resurrects Wagner’s American apostle—and a progressive, populist musical culture that New York has largely forgotten.

Arts Commentary: Boffo Box Office — Cultural Bust

October 3, 2026
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Hedge-fund logic, executive excess, celebrity casting, and algorithmic ticket prices are remaking nonprofit arts groups and Broadway alike

Film Festival Reviews: Docs at TIFF — Labor, Harlem Memory, and Iranian Bodies Under Pressure

October 2, 2026
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At TIFF, Barbara Kopple follows exploited delivery workers, William Greaves revives the Harlem Renaissance, and Iranian filmmakers find private lives shadowed by surveillance, war, and repression, yet also beautified in some cases.

Jazz Album Review: Dave Holland’s “Freedom Call” — A Vital Archive of a Restless Master

October 2, 2026
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A six-LP, three-CD collection gives us the bassist leading exceptional small groups in music of rigor, energy, and expansive range.

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