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Across two October weekends at the Brattle, the expanded 27-film series offers Boston audiences early looks at new work by Lee Chang-dong, Hirokazu Kore-eda, Ryusuke Hamaguchi, Martin McDonagh, Pedro Almodóvar, and more.
ECM New Series’ reissue of the composer’s seminal early recordings restores their bite, rigor, and uncommon spiritual warmth.
Book Review: The King of the Cats Returns — Seamus Heaney’s Complete Poems and the Poetry of Justice
In a monumental new gathering of his work, the Nobel laureate’s poems—of rural labor, private grief, history, and divided Northern Ireland—remain a moral force in a newly fraught moment.
An incisive exhibition traces how Rembrandt, his Dutch contemporaries, and earlier artists remade a biblical story of concealment, power, and survival.
Janis Siegel’s first project since the Manhattan Transfer’s 2023 dissolution honors the lyric-driven jazz practice shaped by Eddie Jefferson and Lambert, Hendricks & Ross.
In “The Disciple: A Wagnerian Tale of the Gilded Age,” the cultural historian and novelist resurrects Wagner’s American apostle—and a progressive, populist musical culture that New York has largely forgotten.
Hedge-fund logic, executive excess, celebrity casting, and algorithmic ticket prices are remaking nonprofit arts groups and Broadway alike
A six-LP, three-CD collection gives us the bassist leading exceptional small groups in music of rigor, energy, and expansive range.
Arts Commentary: The Distance Between Us and the Museum
By Mark Pawlak For a working-class kid from Buffalo who once saw museums as places for other people, a lifetime among Cambridge and Boston collections became an education in class, access, exclusion, and the complicated act of looking. Any Sunday when the weather turns—low gray clouds, steady rain, the threat of snow—my thoughts drift toward…
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