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Featured

Jazz Album Review: Kemp Harris’s “Live at The Bird SF” — An Infectious Hybrid

This live performance recording showcases the Boston-based singer/pianist Kemp Harris’s merrily eclectic approach — it is a thought-stirring and animated musical excursion.

By: David Daniel Filed Under: Featured, Jazz, Music, Review Tagged: Bird Records, David Daniel, Kemp Harris

Television Review: “It’s a Sin” — Poignant Remembrance of the AIDS Era

Despite its inevitable darkness, It’s a Sin never loses sight of the joys of existence.

By: Sarah Osman Filed Under: Featured, Review, Television Tagged: It's a Sin, Russell T. Davies, Sarah Osman

Visual Arts Review: Trump Likes Minimalism? Really?

All four budgets that Donald Trump and his sycophants sent to Congress had nada for the arts and humanities.

By: Mark Favermann Filed Under: Commentary, Featured, Visual Arts Tagged: Donald Trump, Federal Buildings, Isamu Noguchi, Mark Favermann, Melania Trump

Book Review: “Second Time Around: From Art House to DVD”

The book’s conceit is that D.A. Miller watches films he’s seen earlier in life with enhanced perception because of the possibilities offered him through the DVD lens.

By: Gerald Peary Filed Under: Books, Featured, Film, Review Tagged: Columbia University Press, D.A. Miller, Second Time Around-From Arthouse to DVD

Rap Album Review: slowthai’s “Tyron” — A Rapper of Two Minds

This is a sophomore album that showcases an artist’s desire to grow beyond his initial success.

By: Alex Szeptycki Filed Under: Featured, Music, Review, Rock Tagged: rap, Slowthai, Tyron

Film Review: “Billie” — A Fascinating Spotlight on a Jazz Legend

Billie is a stunning new documentary about Billie Holiday, one of the greatest jazz vocalists of the 20th century.

By: Allen Michie Filed Under: Featured, Film, Review Tagged: Billie, Billie Holiday, James Erskine

Music Interview: Prizing the Peculiar – “The Ivan Variations” Performed by the Chandler Travis  Philharmonic

“The Ivan Variations is kind of a departure for me, though some would argue that my whole career is a departure, and I hope they’re right!”

By: Tristan Geary Filed Under: Featured, Interview, Music Tagged: Chandler Travis, Chandler Travis Philharmonic, The Ivan Variations

Theater Review: “Solitaire Suite” — Strange Things Flashing in the Night

The show is made all the more powerful by the fact that we’ve now spent 12 months enduring Covid and four years of science denial and “alternative facts.”

By: David Greenham Filed Under: Featured, Review, Theater Tagged: David Greenham, Hub Theatre Company of Boston, Solitaire Suite, Trent England

Concert Review: Tedeschi Trucks Band — Fiery “Fireside Sessions”

With the “Fireside Sessions,” Tedeschi and Trucks have found the perfect online format for showcasing their attention to detail, nuance, and craft.

By: Scott McLennan Filed Under: Featured, Music, Review, Rock Tagged: Derek Trucks, Scott McLennan, Susan Tedeschi, Tedeschi Trucks Band

Shelter in Place Attractions: February 21 through March 9 — What Will Light Your Home Fires

In the age of COVID-19, Arts Fuse critics have come up with a guide to film, dance, visual art, theater, and music — mostly available by streaming — for the coming weeks. More offerings will be added as they come in.

By: Bill Marx Filed Under: Coming Attractions, Featured, Preview Tagged: Bill-Marx, Evelyn Rosenthal, Jonathan Blumhofer, Matt Hanson, Merli V. Guerra, peter-Walsh, Tim Jackson

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  • Charles Giuliano February 24, 2021 at 11:28 am on Visual Arts Review: Trump Likes Minimalism? Really?Oddly, Mussolini was an exception to mandating monumental classicism for official structures. There were elements of futurist concepts in some...
  • Stuart Troutman February 24, 2021 at 9:13 am on Arts Reconsideration: The 1971 Project — Celebrating a Great Year In Music (February Entry)Regarding Weather Report's remarkable 1st album (50 yrsago?!), Steve Elman mentions "open, modal harmonies"...? What does that mean? 'Modal', ok,...
  • Bill Marx, Editor of The Arts Fuse February 23, 2021 at 11:23 am on Poetry Review: The Verse of Rowan Ricardo Phillips — Let’s Get Weaponized?You are correct -- the last stanza is The better tomorrow, MMXVI. That is 2016, not 1916.
  • judith chernaik February 23, 2021 at 11:06 am on Book Review: Anahid Nersessian’s “Keats’s Odes: A Lover’s Discourse” — More like a QuarrelI hate to think of what this associate professor of English is teaching California students about poetry, Keats, language, or...
  • LeslyeJG February 23, 2021 at 8:58 am on Poetry Review: The Verse of Rowan Ricardo Phillips — Let’s Get Weaponized?The date, is I believe, 2016, not 1916. And the crack vs cocaine reference speaks to the racial/economic divide and...

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