Featured
Recorded prior to a debilitating stroke and released a year afterward, Michael Kiwanuka’s album offers beautiful songs of pain, loneliness, heartbreak, and despair.
A “Song of the Pirates” and feather-light scherzo movements stand out in world-premiere recordings led by Howard Griffiths—a welcome rediscovery of a composer admired by Mendelssohn and Schumann.
At the Boston Jewish Film Festival, three films follow women who persist in the face of prejudice, buried secrets, and unjust laws.
John Malkovich and Sam Rockwell skillfully ladle on the caustic comedy, but Martin McDonagh’s latest leaves the moral wreckage of American imperialism largely unexplored.
From TikTok to the concert stage, the singer’s unaffected way with the Great American Songbook suggests a hopeful turn in an AI-drenched culture.
In “Will and Attention,” the essayist explores addiction, faith, and the divided self—and asks whether lasting change begins not with willpower but with attention.
At 90, Boston’s ICA revisits nine decades of boundary-pushing art, institutional reinvention, and a willingness to take risks.
Grahame Lesh on growing up Dead, Bob Weir, Bravo’s “Real Housewives,” the birth of Terrapin Station, and why the Dead will never die.
Food Commentary: “The Real Food Show” — The Galloping Propagandist
Robert F. Kennedy Jr.’s cooking show serves up MAHA talking points without the wit, warmth, or human connection that made Julia Child, Graham Kerr, and LaDeva Davis irresistible.
Read More about Food Commentary: “The Real Food Show” — The Galloping Propagandist