Featured
It may be shot in B&W, but “Day of the Fight” is not a retread of “Raging Bull” — though Joe Pesci is present.
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Children will delight in two books that celebrate creativity and imagination, and one that shows a new way of seeing the world through maps.
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This week’s poem: Ted Pearson’s Selections from “String Theory”
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Ya gotta understand — corporate assholes are like Sauron’s boss, Morgoth. They are incapable of creation. They can only appropriate and warp, like how Morgoth appropriated and warped Elves to create Orcs.
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Both Stereophonic and Babemake compelling drama out of the volatile world of pop music-making.
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A look at three exhibitions by New England artists who are concerned about climate change and gun violence.
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“What Comes from the Night’ testifies to John Taylor’s complex bond with nature, a generous alliance that includes moments of introspection and melancholy.
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The aim is to evoke, critically, a period when adventure, for men, was about running away to Cuba or going on Kerouac-inspired road trips.
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“For me, having new material to play — that’s the best. If you’re on tour, you are presenting a new album and people are psyched because you are playing some of that stuff live.”
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Our expert critics supply a guide to film, visual art, theater, author readings, and music. More offerings will be added as they come in.
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