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On Boston’s Commonwealth Avenue Mall, 100 handcrafted elephants turn an exuberant family attraction into a persuasive call for human-wildlife coexistence.
At 52 Sumner, the 27-year-old guitar virtuoso and his crack band moved freely among blues, soul, funk, R&B, and rock — making a compelling case that Ingram is ready for much larger rooms.
This ambitious catalogue is strongest when it treats Rothko’s paintings as shifting perceptual structures—and weakest when it resolves them into metaphysical comfort.
Douglas Tirola’s documentary draws on a remarkable archive to make Leonard Bernstein’s musical, political, and moral commitments feel urgently contemporary.
This strong 2026 lineup ranges from a colonial nightmare in the Kalahari to a Japanese ghost story and Carlos Conceição’s chilling vision of cosmetic obsession amid climate catastrophe.
Eli Roth’s brightly packaged slasher has an intriguing premise, sweet candy-colored visuals, and impressive effects, but its lazy derivations, forced humor, and AI-generated cartoons leave a sour aftertaste.
Ahead of a run of shows with Boston’s Naya Rockers, the veteran Jamaican musician looks back on the Gladiators, Lee “Scratch” Perry, political “sleepwalking,” and a career still driven by curiosity.
In Provincetown, the artist discusses the perceptual tricks, sly wit, and classical echoes behind his luminous figure drawings and and works on terra cotta.
John Worthen’s biography explores the composer’s lifelong devotion to Clara Schumann and its role in shaping his music.
It Will Come Back to You’s intricate, puzzle-like narratives shine—except when insider gossip gets in the way.
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