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Television Review: “The Grimm Variations” — Intriguing But Vague

April 26, 2024
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So another season would be in order for “The Grimm Variations” — if it would strive to be less chaotic.

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Concert Review: The Flaming Lips — Still Keeping the Pink Robots at Bay

April 26, 2024
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“Yoshimi Battles the Pink Robots” was the only record of the Flaming Lips that I knew in any real depth; it turns out that the band’s live show was  heartwarming, a buoyant and visually exuberant experience.

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Jazz Perspective: Zev Feldman – A Sherlock of a Producer with an Impressive Portfolio

April 26, 2024
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Zev Feldman is becoming one of the great sleuth-producers of our time, and his name is becoming a marker of quality.

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Gospel Album Review: Sister Rosetta Tharpe — A “Solid Sender”

April 26, 2024
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I admire Sister Rosetta Tharpe’s wit and daring, her singularly effective guitar playing, and the subtlety of her singing.

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Theater Review: “Springtime for Hades”

April 25, 2024
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It’s an old tale, we know how it’s going to end, but we tell it again all the same

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Weekly Feature: Poetry at The Arts Fuse

April 25, 2024
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This week’s poem: Guillermo Parra’s “Alice Coltrane”

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Music Commentary: New Orleans Jazz and Heritage Fest versus French Quarter Fest

April 25, 2024
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Which is the best fest? It’s up for grabs.

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Music Feature: New Orleans French Quarter Festival, 2024

April 25, 2024
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Some at times sentimental observations of New Orleans’s “other” massive music confab, the French Quarter Festival.

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Book Review: Maya Arad’s “The Hebrew Teacher” — Balancing Conflict and Compassion

April 24, 2024
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This disturbing and beautiful book concerns itself mostly with Israelis living in America, and Maya Arad has brought her characters and their stories to life in meaningful and unforgettable ways.

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Poetry Review: “Catullus: Selected Poems” — A Comfortable Intro to an Uncomfortable Poet

April 24, 2024
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Translator Stephen Mitchell serves Catullus best with the poems that don’t demand cleverness, where the sentiment is at least seemingly direct.

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