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Melissa Broder’s new novel is as amusing as it is bewildering.
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This volume is a study of what can happen when two art forms engage in a mutually beneficial conversation.
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Murder mystery and farce can coexist in the same play… for a time, at least. Eventually, the two will pull apart, however, as they do in this production.
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If you’re brave enough to dip your toes into a musical unknown, there are pleasures a-plenty to be had in this recording, in which Joe Jackson takes us on what purports to be a musicological excavation of the works of a long-forgotten figure of the English Music Hall era.
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Three first-rate documentaries at DOC NYC that examine the crimes of the past and the fragility of the present.
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Simply put, there’s nothing (and no one) out there quite like what Neil Breen is putting out into the world, and for that alone, we should be grateful.
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“All The Years Combined” is best approached as yet another voice in the ever burgeoning conversation about the evolution of the Grateful Dead.
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The whole recording reminds me that numerous forgotten but extremely accomplished nineteenth-century works can provide rich satisfactions when performed as well as this
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Ludmila Ulitskaya’s stories are fatalistic in spirit, but not morose.
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This is a brilliant book that explains, with engaging clarity, why our politics have reached their current frightening nadir.
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