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In “How to Survive the End of the World,” catastrophe is only part of the story. There’s also human resilience—and the possibility of making things better.
Ruchira Gupta joins Elizabeth Howard to explore her friendship with Gloria Steinem, the influence of India and Gandhi on Steinem’s activism, and their shared commitment to women’s freedom.
Ahead of “A Nightmare Before Halloween” at the Paradise Rock Club, the frontman talks collaborative songwriting, animated adventures, and keeping new music in the works while on the road.
Reunited after 30 years, Bob Mould, David Barbe, and Malcolm Travis deliver a triumphant Roadrunner set that balances melodic hooks with cathartic fury.
GlobeDocs and a standout screening at the Somerville Theatre offer an inviting week of documentaries about mortality, justice, community, and a divided nation.
From haunted islands to Gilead and outer space, four series keep the scary season alive.
Taylor Mac and Matt Ray’s bawdy, bighearted romp raised the Paramount’s roof, but its sprawling celebration of queer history cries out for a firmer editorial hand.
On his third recording of Benjamin Britten’s three solo cello suites, the Dutch cellist brings lucid intensity to their knotty arguments and haunting lyricism.
A new collection of unreleased demos, live performances, and studio recordings puts Crenshaw’s enduring pop gifts in the spotlight ahead of his November 11 appearance at Boston’s City Winery.
In her haunting installation “Cemetery of the Nameless,” Pınar Öğrenci contemplates displacement, anonymous deaths, and the cruelties that recur across borders and centuries.
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