Featured
In a lively blend of memoir, intellectual history, and philosophical primer, Emily Eakin revisits the French theorists who transformed American literary studies—and asks what their skepticism about language and power can still offer in the age of AI.
Director Jane Schoenbrun’s seductive, funny, and unsettling meditation on horror, desire, and cinema turns summer-camp carnage into a tale of identity, intimacy, and renewal.
We need to sustain where the Muses live — Somerville’s The Museum of Modern Renaissance.
In Neil Van Leeuwen’s challenging book, belief and imagination overlap in ways that are provocative, unsettling, and unexpectedly illuminating.
At Brighton Music Hall, Boston’s avant-punk legends capped Mark Kates’s label anniversary with a surprisingly potent four-song set and a tribute to the late Jeff “Monoman” Conolly.
Founding Mavericks drummer Paul Deakin reflects on loss, reconciliation, and a summer tour devoted to keeping Paul Malo’s songs alive.
Our expert critics supply a guide to film, visual art, theater, author readings, television, and music. More offerings will be added as they come in.
Daniel Silva’s latest Gabriel Allon novel sidelines Israeli politics for an unusually timely, expertly paced tale of Russian aggression, drone warfare, and fraying Western alliances.
Jonathan Suazo’s exhilarating, roots-conscious celebration of Puerto Rican and Dominican traditions is the standout, while Ray Obiedo assembles an expertly chosen cast for a consistently engaging, groove-rich set.
Terry Chester Shulman’s biography offers a vivid, corrective account of John Barrymore’s artistic greatness, private devastations, and spectacular decline.
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