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Visually beguiling, “Silent Friend” may probe the mysteries of consciousness, but it has little on its mind.
Judith Grohmann’s biography restores a complex cultural force too often reduced to muse and myth.
This week’s poem: Jim Behrle’s “There’s Cake in the Break Room”
Lam Dance Works pairs visiting virtuosity with emerging dancers, revealing both the promise and growing pains of a young Boston troupe.
An MFA exhibition traces how Amsterdam’s Jewish community shaped the artist’s imagination, revealing a rich interplay of daily life, biblical narrative, and cultural exchange.
HBO’s adaptation blends historical grit with balletic fight choreography, elevating the live-action anime genre.
As he prepares for Strangecreek, Ryan Montbleau reflects on introspective songwriting, longtime ties to the festival, and music as a form of truth-telling.
In this volume, Gregory Orr revisits a lifetime of poetic concerns with grace, though not always with urgency.
A persuasive case for MacDowell’s orchestral voice, led by pianist Xiayin Wang and conductor John Wilson.
Stage Commentary: Where’s the Fire? Boston Theater’s Cautious Return to Relevance
After a year of safe revivals and recycled material, companies hint at change—but caution, celebrity casting, and déjà vu still dominate the lineup.
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