Music fans who miss, or missed, the long party that was mainstream music in the mid-’80s will be skillfully taken back to fast times in Can’t Slow Down.
So Miguel Zenón, who on saxophone has the facility of a bebopper, which he uses discreetly, is here a singer as well as an instrumentalist.
I Died a Million Times is an enjoyable and informative read for film noir aficionados and casual movie fans alike, offering a cogent analysis of ’50s gangster noir as a cinema of social commentary.
Desert Oracle is an omnibus, a kind of hand drawn map, as well as a bit of a crackup — something you will peruse and possibly find the route leading to a deeper dive.
Maybe the greatest value of Saviano’s narratives is that they rebuke the complicity of silence; they are acts of dissent that refuse to kowtow to the oppressive omertà.
Amir Nizar Zuabi’s engaging drama is a hopeful testament to communication and forgiveness.
2020 offered another rich year for the documentary form, well beyond the tabloid entertainment of the likes of Tiger King
Two from Dave Brubeck: Time Outtakes, the alternate tracks for the Dave Brubeck Quartet’s classic 1959 album Time Out is very good to have; Lullabies is filled with the intimate sound of the pianist’s old age, tender affection, and distilled musical wisdom.
The filmmakers use their story to point towards a way to help us navigate through our own polarization; it has something to do with each of us widening our perspective to take in more than just our immediate experience.
Some pithy quotes to keep in mind for the New Year.