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Biographer Judith Tick is reverent about the singer without falling into hagiography: with honest scrutiny, she asserts the enduring value of Ella Fitzgerald’s achievement for generations to come.
Read MoreThis week’s poem: DeWitt Henry’s “From the Horse’s Mouth”
Read MoreMelissa Broder’s new novel is as amusing as it is bewildering.
Read MoreThis volume is a study of what can happen when two art forms engage in a mutually beneficial conversation.
Read MoreMurder mystery and farce can coexist in the same play… for a time, at least. Eventually, the two will pull apart, however, as they do in this production.
Read MoreIf you’re brave enough to dip your toes into a musical unknown, there are pleasures a-plenty to be had in this recording, in which Joe Jackson takes us on what purports to be a musicological excavation of the works of a long-forgotten figure of the English Music Hall era.
Read MoreThree first-rate documentaries at DOC NYC that examine the crimes of the past and the fragility of the present.
Read MoreSimply put, there’s nothing (and no one) out there quite like what Neil Breen is putting out into the world, and for that alone, we should be grateful.
Read More“All The Years Combined” is best approached as yet another voice in the ever burgeoning conversation about the evolution of the Grateful Dead.
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Film Anniversary: From Punchline to Plausibility — The 50-Year Transformation of “Soylent Green”
“Soylent Green” should be seen as a work of future history, a docudrama of things that, in 1973, had yet to happen but are happening now, 50 years later.
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