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The jam band’s most thematically focused album yet turns digital overload into anxious, shape-shifting rock.
Deborah Levy’s playful Parisian fiction delivers vivid reflections on Gertrude Stein but it is in danger of stumbling over its own cleverness.
Portraits of a legendary critic and modern Deadheads highlight what’s gained—and lost—when culture resists critique.
Sharon Rothstein’s sharp drama shifts the focus from censorship to the corrosive culture of public shaming.
Apple TV’s reboot leans into slow-burn menace over Scorsese-style excess, with Javier Bardem channeling the original film’s unnerving restraint.
Steven Spielberg revisits extraterrestrial wonder with technical virtuosity, but his media-age fable drifts into sentimentality and soft-focus optimism.
Jonathan Spector’s successful satire finds biting comedy—and uneasy truth—in the limits of well-meaning consensus.
Dimitri Elias Léger’s novel turns a final moment into a sweeping meditation on love, history, and the Beautiful Game.
“The Yahoo Boys” dissects a global grift fueled by digital intimacy, economic despair, and willful belief.
Arts Commentary: The Kennedy Center and the Boston Symphony Orchestra — A Tale of Two Crises