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Arts Remembrance: The Musical Mission of Joel Cohen

August 4, 2026
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His galvanizing presence left an enduring mark on Boston’s musical culture.

Rock Concert Review: Phish Turns Fenway Into a Jam-Heavy Homecoming

August 3, 2026
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The weekend stand in Boston offered crowd-pleasers, deep cuts, and one of Phish’s most startling bust-outs in decades.

Dance Preview: Brinae Ali Dances Baby Laurence Back Into the Spotlight

August 3, 2026
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At Jacob’s Pillow, Brinae Ali’s “Baby Laurence Legacy Project” reanimates a jazz tap master’s bebop musical brilliance through choreography, live music, and technology.

Film Review: “Wild Inside” — The Story of the Owl That Stopped New York

August 3, 2026
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In her wry, incisive documentary,  filmmaker Penny Lane turns an owl’s rise and fall into an unusually moving inquiry into animal sentience, urban spectacle, and the cost of liberation.

Arts Remembrance: Jeff “Monoman” Conolly — He Knew All the Secrets

August 3, 2026
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The Lyres frontman was obsessive, exacting, and unforgettable.

Film Review: “Young Mothers” Finds Grace in Hardship

August 2, 2026
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The Dardenne brothers’ latest film transforms a series of fragile stories about teenage motherhood into an unsentimental, deeply compassionate study of resilience.

Coming Attractions: August 2 through 17 — What Will Light Your Fire

August 2, 2026
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Our expert critics supply a guide to film, visual art, theater, author readings, television, and music. More offerings will be added as they come in.

Classical Album Review: Film Composers in the Concert Hall

August 2, 2026
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A Singapore Symphony Orchestra recording of compositions by John Williams, Bernard Herrmann, and Hugo Friedhofer quietly punctures old prejudices about film composers and “serious” music.

Film Review: “Her Private Hell” — A Rorschach Test in Neon and Leather

August 1, 2026
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Nicolas Winding Refn’s baffling, vibe‑driven film trades narrative for fetish—and asks whether you still care what the critics think.

Musician Interview: Planning for Burial’s Thom Wasluck on Somergloom, Seven-Year Gaps, and Turning 40

August 1, 2026
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The Wilkes-Barre doomgaze artist talks creative block, bare-bones recording, and why he prefers to play in shows with musicians that don’t sound like him.

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