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Raffaella della Olga prepares manual typewriters the way John Cage prepared pianos, using their percussive power to completely subvert their original purpose.
A brisk, galvanizing portrait of “Democracy Now!”‘s Amy Goodman and the stubborn fight for adversarial journalism.
The smoke drifting over the set is a metaphor for the mind-fogging rhetoric of Willy Loman’s phony boosterism. He has been adrift in an American dream that was a lie all along.
SpeakEasy Stage’s musically rich production grips with its performances, even as the drama struggles to fully deepen its tale of a crisis at sea.
Musician Interview: Hometown Heroes The Ghouls Honor Black Sabbath at The Town and The City Festival
Ghouls lead vocalist and guitarist George Danahy on honoring Ozzy Osbourne, embracing theatrics, and building momentum on the local scene.
A brief, haunting meditation homing in on the final weeks—and thoughts—of the ailing Gustav Mahler during his voyage back to Europe.
Host Elizabeth Howard talks to Peter Bouteneff about the power of silence in the music of Estonian composer Arvo Pärt.
Ross Barkan is a good enough of a writer to have avoided the trap of making this novel just an anti-Trump protest.
Part four of a run-down of live-action narrative shorts. As usual for the IFFBoston, the quality is high, with intriguing subject matter and technical polish.
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