Featured
Violinist Anne-Sophie Mutter’s latest Alpha recording pairs two late works by André Previn with Sebastian Currier’s witty, searching “Ringtone Variations.”
A newly released 1977 collection documents the Cramps making the past feel dangerous again.
Carter Vaughn Findley’s “Dreams of Empire” charts the endurance, diversity, achievements, and eventual dissolution of a state that bound East and West for nearly six centuries.
Sunny Sandler gives a quietly affecting performance in a heartfelt, unsentimental coming-of-age drama about a high school musical, a mother’s cancer recurrence, and the precarious coexistence of sorrow and joy.
In a lively blend of memoir, intellectual history, and philosophical primer, Emily Eakin revisits the French theorists who transformed American literary studies—and asks what their skepticism about language and power can still offer in the age of AI.
Director Jane Schoenbrun’s seductive, funny, and unsettling meditation on horror, desire, and cinema turns summer-camp carnage into a tale of identity, intimacy, and renewal.
We need to sustain where the Muses live — Somerville’s The Museum of Modern Renaissance.
In Neil Van Leeuwen’s challenging book, belief and imagination overlap in ways that are provocative, unsettling, and unexpectedly illuminating.
At Brighton Music Hall, Boston’s avant-punk legends capped Mark Kates’s label anniversary with a surprisingly potent four-song set and a tribute to the late Jeff “Monoman” Conolly.
Arts Commentary: Trump’s War on the Kennedy Center Is a War on Culture Itself