Interview
In “Will and Attention,” the essayist explores addiction, faith, and the divided self—and asks whether lasting change begins not with willpower but with attention.
Grahame Lesh on growing up Dead, Bob Weir, Bravo’s “Real Housewives,” the birth of Terrapin Station, and why the Dead will never die.
In “How to Survive the End of the World,” catastrophe is only part of the story. There’s also human resilience—and the possibility of making things better.
Ahead of “A Nightmare Before Halloween” at the Paradise Rock Club, the frontman talks collaborative songwriting, animated adventures, and keeping new music in the works while on the road.
The Dublin post-punk experimentalists bring their dark new album to Brighton Music Hall, with Alan Duggan reflecting on the group’s evolving creative process, headphone-oriented textures, and his personal connection to Boston.
Ahead of two Massachusetts shows with Dan Bejar, Neko Case talks about producing “Neon Grey Midnight Green,” writing her memoir, composing a “Thelma and Louise” musical, and the toll of streaming on working musicians.
In “The Disciple: A Wagnerian Tale of the Gilded Age,” the cultural historian and novelist resurrects Wagner’s American apostle—and a progressive, populist musical culture that New York has largely forgotten.
Ahead of his October 2 Regattabar show, the Brooklyn-based soul singer reflects on Boston’s supportive early-2000s music scene, working with Swamp Dogg, and the pleasures and challenges of drawing from a deep catalog.
In advance of a rare Fall River appearance, Matthew Stubbs and Cody Nilsen discuss recording with the harmonica master, choosing blues deep cuts, and building a set unlike either artist’s usual show.
In Central Square Theater’s production of the solo drama “Eleanor,” the acclaimed actor channels a historic first lady’s activism, marital complexities, and enduring call to civic action.
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