Interview
“It’s not just some generic ‘evil’ “The Arsonists” protests, it is willful blindness to fascist and authoritarian agendas. Denial and hiding behind “bourgeois” comfort is the theme.”
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It has been over 20 years since Incubus released its acclaimed album “Morning View”. The band has re-recorded it under the name “Morning View XXIII”.
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“Just like a rejuvenated marriage, we feel as if we can conquer anything. We’re excited, we’re excited to continue doing what we do, make music, tour, and see what comes of it.”
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A translator must meet a compelling need — to reinvent Franz Kafka’s voice in an English that resounds in the present moment.
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Audiences will hear the new musical direction violinist Lindsey Stirling and her band have taken when they perform at Fenway’s MGM Music Hall.
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In support of the release of his album “Orgy of the Damned,” Slash is not just touring; he’s putting on a distinctive concert experience with a positive message.
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“Popular music in America is already so formulated and dumbed-down that the fear of AI making it more trivial is probably beside the point.”
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The band’s potent, percussive sound was years ahead of its time, as proven by today’s red hot London jazz scene, whose biggest stars are audibly influenced by Cymande.
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Swanky Kitchen Band is single-handedly carrying on the venerable, but little known, Afro/Celtic/Caribbean tradition of fiddle-led dance bands in the Cayman Islands.
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Singer/songwriter Aoife O’Donovan’s new album is a moving tribute to the women, particularly Carrie Chapman Catt, who made the 19th Amendment a reality.
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