Interview
Jim Windolf’s joint portrait argues that competition between icons did not divide them—it reshaped modern music
Mark Cutler’s community songwriting workshops transform shared experience into collective sound.
In “1968,” historian Alexander Bloom challenges the clichés of counterculture and reflects on a year of global rupture.
Palestinian scholar Lelia Farsakh reflects on a life shaped by displacement, her father’s legacy, and the political and personal stakes behind her emerging memoir.
On the recording “AVTT/PTTN,” mutual admiration turns into a bold experiment in form, trust, and sonic space.
As he prepares for Strangecreek, Ryan Montbleau reflects on introspective songwriting, longtime ties to the festival, and music as a form of truth-telling.
The Jazz at Lincoln Center vice president of education discusses the growth of Essentially Ellington, the rise in student playing, and the organization’s push for wider access.
Musician Interview: Hometown Heroes The Ghouls Honor Black Sabbath at The Town and The City Festival
Ghouls lead vocalist and guitarist George Danahy on honoring Ozzy Osbourne, embracing theatrics, and building momentum on the local scene.
In conversation, Andrew Krivak discusses inherited grief, immigrant roots, and the novel’s unusual form.
Bassist and songwriter Joseph D. Rowland on revisiting “Foundations of Burden,” perfecting Pallbearer’s sound, and bringing heavy atmosphere to an unconventional venue.
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