Rock

Festival Review: Green River Festival Hits a New Peak with Eclectic, Youth-Driven Lineup

June 23, 2026
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A record crowd for genre-blurring acts, with Geese and Wednesday signaling a shift in the festival’s identity.

Festival Review: Northlands Music & Arts Festival 2026 — A Summer Pulse-Check for the Jam Scene

June 23, 2026
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A storm-snarled weekend in Swanzey, New Hampshire delivers breakout acts, deep improvisation, and a snapshot of the modern jam ecosystem.

Concert Review: Claypool Gold — Three Bands, One Brain, Infinite Detours

June 12, 2026
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Claypool Gold tour turns Leader Bank Pavilion into a shifting laboratory of psychedelia, satire, and virtuosic groove.

Rock Album Review: Sourpunch Shakes Them Bones (sort of)

June 12, 2026
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A punchy live band loses its spark in a muddled, underpowered studio outing.

Rock Album Review: Signals and Static — Goose’s “Big Modern!”

June 11, 2026
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The jam band’s most thematically focused album yet turns digital overload into anxious, shape-shifting rock.

Concert Review: Little Feat’s Farewell Tour — No Signs of Fadeout

June 8, 2026
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 At Indian Ranch, Little Feat balances nostalgia and renewal in a high-caliber stop on its “Last Farewell Tour.”

Musician Interview: Mike Patton & The Avett Brothers Take Their Radical Collaboration on the Road

June 5, 2026
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On the recording “AVTT/PTTN,” mutual admiration turns into a bold experiment in form, trust, and sonic space.

Concert Review: Bruce Springsteen’s Gospel of Resistance

May 26, 2026
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In Boston, the Boss fused crowd-pleasing anthems with a forceful anti-Trump jeremiad—raising questions even as he roused the faithful

Concert Review: Shadows, Synths, and Sweat — The Black Queen in Full Force

May 24, 2026
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A decade after “Fever Daydream,” the band’s return transforms moody electronics into a surging, physical spectacle.

Musician Interview: Ryan Montbleau on Returning to the Strangecreek Campout

May 18, 2026
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As he prepares for Strangecreek, Ryan Montbleau reflects on introspective songwriting, longtime ties to the festival, and music as a form of truth-telling.

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