Jazz
I admire Sister Rosetta Tharpe’s wit and daring, her singularly effective guitar playing, and the subtlety of her singing.
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These four sets are among five new collections of previously-unreleased music that provide crisp snapshots of renowned jazz performers in the second half of the twentieth century and precious documents of great originals in their prime.
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The music works. The session is among old friends. The rhythm section cooks and every solo holds one’s attention.
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“Sun Ra: At the Showcase Live in Chicago, 1976 – 1977” offers a rare opportunity for us 21st century listeners to experience live sets by a distinctive musical spirit.
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Saxophonist Owen Broder’s efforts to keep Johnny Hodges’ music alive is more than just mere imitation. It is a fitting tribute to a musician who deserves to be listened to more.
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This is my kind of music, a tight latin jazz outfit that embraces great horn charts and explosive percussion.
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Pianist Noah Haidu’s impeccably performed and recorded “Standards II” is a winner.
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This is a blemished set that I, a Johnny Griffin enthusiast, am glad to have.
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“3 Shades of Blue” is at its most compelling seen as an extended essay about drugs, creativity, the jazz life, and the mysterious nature of musical genius.
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Jazz Perspective: Zev Feldman – A Sherlock of a Producer with an Impressive Portfolio
Zev Feldman is becoming one of the great sleuth-producers of our time, and his name is becoming a marker of quality.
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