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At Indian Ranch, Little Feat balances nostalgia and renewal in a high-caliber stop on its “Last Farewell Tour.”
Orchestral splendor meets interpretive risk in two Mahler releases.
Palestinian scholar Lelia Farsakh reflects on a life shaped by displacement, her father’s legacy, and the political and personal stakes behind her emerging memoir.
Our expert critics supply a guide to film, visual art, theater, author readings, television, and music. More offerings will be added as they come in.
Suzy Hansen’s “From Life Itself” traces the human cost of modernization and authoritarianism in a changing city.
Selma Meerbaum-Eisinger’s poetry carries historical weight, but Carlie Hoffman’s translations struggle to convey the formal poise of the originals.
On the recording “AVTT/PTTN,” mutual admiration turns into a bold experiment in form, trust, and sonic space.
Revisiting the Eameses’ modular dream at a moment when policy, economics, and architecture are under pressure to deliver.
The week’s poem: Simeon Berry’s “I was so insanely good at drinking”
Arts Commentary: In Memoriam, Michael Tilson Thomas (1944-2026)
Early promise, enduring vision, and a lifetime of well-timed reinvention.
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