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Eli Roth’s brightly packaged slasher has an intriguing premise, sweet candy-colored visuals, and impressive effects, but its lazy derivations, forced humor, and AI-generated cartoons leave a sour aftertaste.
Ahead of a run of shows with Boston’s Naya Rockers, the veteran Jamaican musician looks back on the Gladiators, Lee “Scratch” Perry, political “sleepwalking,” and a career still driven by curiosity.
In Provincetown, the artist discusses the perceptual tricks, sly wit, and classical echoes behind his luminous figure drawings and and works on terra cotta.
John Worthen’s biography explores the composer’s lifelong devotion to Clara Schumann and its role in shaping his music.
It Will Come Back to You’s intricate, puzzle-like narratives shine—except when insider gossip gets in the way.
Director Kiyoshi Kurosawa trades spectacle for suspense in a period thriller about honor, hostage, and haiku.
HBO’s docuseries on the illegal reptile trade is less wild than its predecessors, but its sorrowful, criminal undertow makes it unsettling in a different way.
Kamasi Washington, Herbie Hancock, Flea and a lively new generation showed how the festival is stretching jazz’s boundaries without losing its center.
On “Bring on the Psychics,” the post-hardcore veterans sound urgent, thoughtful and surprisingly rejuvenated, balancing punishing riffs with hard-won wisdom.
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