Folk

Musician Interview: “They drowned out the roaring sea ” — Swanky Kitchen Band Brings the Sounds of the Cayman Islands to the Lowell Folk Festival

July 23, 2024
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Swanky Kitchen Band is single-handedly carrying on the venerable, but little known, Afro/Celtic/Caribbean tradition of fiddle-led dance bands in the Cayman Islands.

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Music Preview: Yidstock 2024 — Roots and Branches

June 25, 2024
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“The only way to keep the music alive is to view it as a living thing and support artists who approach it that way, rather than as a museum piece.”

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Music Interview: Ruth Moody of The Wailin’ Jennys — Going Solo

May 7, 2024
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Penning some of the most beautiful and harmonious tunes for the Wailin’ Jennys over the group’s two decades, Ruth Moody always envisioned a solo career to complement her Jennys output.

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Music Interview: Jay Ungar and Molly Mason — Still Playing Together After All These Years

April 10, 2024
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The renowned duo of Jay Ungar and Molly Mason perform what has been called American Roots music. But they’ve also been known to include traditional folk and ’40s jazz.

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Concert Review: “Fort Nights” — A Celebration of Life and Community

March 19, 2024
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Saturday night’s advertised performers paid robust homage to the late Gary Smith — the Fort Apache Studios owner, producer, and band manager —  across three and a half hours at the Somerville Theatre.

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Concert Review: Hurray for the Riff Raff — Ringing Loud and Clear

March 10, 2024
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“The Past is Still Alive” hones Alynda Segarra’s songs to an accessible Americana that allows their travelogue-tinged tales to nestle in ways both literal and metaphorical. It’s one of the best records of the nascent new year.

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Album Review: “Will Anybody Know That I Was Here? The Songs of Beulah Rowley” by Mary Lee Kortes

February 11, 2024
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The album suggests an earlier time, but most of the music is modern, relevant, and timeless.

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Arts Feature: The Best in Popular Music 2023

December 23, 2023
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Our music critics pick some of the standout albums and performances of 2023.

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Music Commentary: Nanci Griffith vs. the “New Yorker”

December 19, 2023
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It was the sniping tone that made the article perplexing. I would almost call it perverse. Why treat so cavalierly — even shabbily — a deceased, highly esteemed, Grammy-winning artist?

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Album Review: “More Than a Whisper: Celebrating the Music of Nanci Griffith” — A Flawless Tribute

December 11, 2023
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Love for Nanci Griffith has empowered a hell of a record.

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