Folk
“Every record makes the setlist better because we get to keep the things that have really been killin’ and then do things that make you push yourself because these are songs that you haven’t played in several years.”
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It’s the variety of sounds in Eva Cassidy’s repertoire, reinforced by her ability to use them with the utmost tact and control, that impresses this listener.
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The Newport Folk Festival always pulls off unique, unexpected collaborations, while it embraces a head-spinning lineup of diverse genres that reflects its spirit of community.
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Swanky Kitchen Band is single-handedly carrying on the venerable, but little known, Afro/Celtic/Caribbean tradition of fiddle-led dance bands in the Cayman Islands.
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“The only way to keep the music alive is to view it as a living thing and support artists who approach it that way, rather than as a museum piece.”
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Penning some of the most beautiful and harmonious tunes for the Wailin’ Jennys over the group’s two decades, Ruth Moody always envisioned a solo career to complement her Jennys output.
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The renowned duo of Jay Ungar and Molly Mason perform what has been called American Roots music. But they’ve also been known to include traditional folk and ’40s jazz.
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Saturday night’s advertised performers paid robust homage to the late Gary Smith — the Fort Apache Studios owner, producer, and band manager — across three and a half hours at the Somerville Theatre.
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“The Past is Still Alive” hones Alynda Segarra’s songs to an accessible Americana that allows their travelogue-tinged tales to nestle in ways both literal and metaphorical. It’s one of the best records of the nascent new year.
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The album suggests an earlier time, but most of the music is modern, relevant, and timeless.
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