Popular Music

Concert Review: Mavis Staples and Alabama Shakes Turn Tanglewood Into an “Army of Love”

September 8, 2026
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At the Koussevitzky Music Shed, two generations of artists joined forces in a rousing concert of gospel, rock, resistance, and solidarity.

Musician Interview: Graham Nash Still Has Something to Say

September 5, 2026
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At 84, the singer-songwriter discusses a lifetime of harmony, activism, loss, and why songs of peace and protest remain urgently necessary.

Musician Interview: Tiny Habits Change Things Up A Bit for “Keepers”

August 28, 2026
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Rob Duguay talks to members of Tiny Habits about the folk-pop band’s beginnings and the creative process behind its new album, “Keepers.”

Latin Jazz Album Reviews: Jonathan Suazo’s “Fruto de Mi Corazón Ricano Vol. 2” and Ray Obiedo’s “Slight Accent”

August 14, 2026
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Jonathan Suazo’s exhilarating, roots-conscious celebration of Puerto Rican and Dominican traditions is the standout, while Ray Obiedo assembles an expertly chosen cast for a consistently engaging, groove-rich set.

Concert Review: Christone “Kingfish” Ingram Electrifies With a Roaring Young Blues Band

August 11, 2026
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At 52 Sumner, the 27-year-old guitar virtuoso and his crack band moved freely among blues, soul, funk, R&B, and rock — making a compelling case that Ingram is ready for much larger rooms.

Music Festival Review: Wilco’s Solid Sound Still Surprises

July 1, 2026
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Billy Bragg reunion, festival deep cuts, and a weekend of discovery turn MASS MoCA into a communal music feast.

Concert Review: Claypool Gold — Three Bands, One Brain, Infinite Detours

June 12, 2026
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Claypool Gold tour turns Leader Bank Pavilion into a shifting laboratory of psychedelia, satire, and virtuosic groove.

Rock Album Review: Signals and Static — Goose’s “Big Modern!”

June 11, 2026
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The jam band’s most thematically focused album yet turns digital overload into anxious, shape-shifting rock.

Jazz Albums Review: Two Currents, One Tide — Latin Jazz Reimagines Monk and Modern Traditions

May 14, 2026
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From Dave Schumacher’s seaworthy “Agua con Gas” to Carlos Henríquez’s rhythmic “Monk con Clave,” these new releases fuse Afro‑Caribbean pulse with big‑band imagination, blending tribute, danceable grooves, and inventive soloing into a shared, celebratory soundscape.

Rock Album Review: Joe Jackson’s “Hope and Fury” — Wit, Weariness, and Musical Wanderlust

April 14, 2026
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Joe Jackson revisits familiar sounds with sardonic flair and surprising warmth on his most concise, eclectic album in years.

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