Nashville songwriter Aimee Mayo’s memoir offers an eye-opening perspective on the problematic treatment of women in the country music industry.
This surprisingly seamless record belies its logistical shuffles and players’ cultural differences with a relaxed sonic identity.
Even though they are a cover band, Foxes and Fossils’ performances are fresh and delightful. While faithful to the originals, they are not slavish imitations.
The sonic thumbprint of MF DOOM will live eternally in the forensics of hip-hop DNA and underground culture as a whole.
Producer Ted Olson is on a mission in We Shall Be Reunited to do justice to the past; he imagines a beautiful alternative to the current ballyhooed origin story of country music.
Lots of artists made recordings during their lockdowns that have been released as vinyl, streams, videos and, in the case of the Attractors and Flying Vipers, even cassette tapes.
Country Supper is a beautifully produced album, a cohesive musical and artistic statement that will appeal to serious fans of the blues, country, and indie rock.
When Charley Pride did display anger, it concerned how the country music establishment treated older artists.
Song Machine rejuvenates the band’s core identity; it is the best music Gorillaz has made in a decade.
For Fleet Foxes, Shore is impressively consistent. Each track presents a meticulously detailed soundscapes deepened by Robin Pecknold’s varied meditative perspectives.