Popular Music
Some at times sentimental observations of New Orleans’s “other” massive music confab, the French Quarter Festival.
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Sessanta succeeded in making “old” songs and “old” bands sound powerful, vital, and progressive.
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“Swingin’ Live at the Church in Tulsa” is a snapshot of a vibrant octogenarian artist who is still moving forward.
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The set impressed in its diversity, boosted by the cohesive breadth of “What Now,” even as its homages grew overt in the second half.
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It may not be one of ambient music’s masterworks, but this 2007 album deserved far better treatment than utter neglect from Lou Reed fans.
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Our music critics pick some of the standout albums and performances of 2023.
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It was the sniping tone that made the article perplexing. I would almost call it perverse. Why treat so cavalierly — even shabbily — a deceased, highly esteemed, Grammy-winning artist?
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Love for Nanci Griffith has empowered a hell of a record.
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The heart of Friday’s performance came in stark impressions borne through Anjimile’s vulnerable voice — along with a little help from his friends.
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Music Commentary: New Orleans Jazz and Heritage Fest versus French Quarter Fest
Which is the best fest? It’s up for grabs.
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