Popular Music
Exposure is a septet assembled to perform Robert Fripp’s quirkily diverse, overlooked 1979 solo album “Exposure” for the first time ever, in sequence.
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Stripped of trip-hop trappings, Beth Gibbons’s fragile voice commanded through a ghostly filter effect as she sang with edgy emotion, peaking in the tagline, “How can it feel this wrong?”
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Anybody at Tuesday’s show who thought the members of Kraftwerk were just punching buttons at their static posts while audiovisuals surged automatically would be mistaken.
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Though John Pizzarelli has written and recorded his own material, his specialty has always been embracing and interpreting the tunes of the giants and legends and making them his own.
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Our popular music critics pick some of the standout albums and performances of 2024.
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“Joni Mitchell Archives Vol. 4” is rich in what too many box sets skimp on: a wide-ranging spread of live recordings. In this case, they demonstrate how Mitchell’s songs evolved on stage as well as in the studio, documenting a genius at work.
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You can get away with being familiar with just an album or two, but Laura Nyro’s music always rewards repeated listenings, and following her mercurial career so thoroughly restores her to three-dimensional life.
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Tedeschi Trucks Band demonstrated the difference between actively engaging in a musical tradition versus paying tribute to it.
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It’s the variety of sounds in Eva Cassidy’s repertoire, reinforced by her ability to use them with the utmost tact and control, that impresses this listener.
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Many of PJ Harvey’s fans at MGM came for a challenging ride, and the performer gave it to them with a stunning show.
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