Film
This shaggy dog story, set in the bowels of Manhattan, in the yet to be gentrified bohemian enclave of SoHo, presented an opportunity for Martin Scorsese to return to bare-bones filmmaking.
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Despite the lack of background or explanation for the occult item at the center of “Talk to Me,” I found it relatively easy to suspend my disbelief and become caught up in the story’s momentum.
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Director Greta Gerwig’s hard-edged but affectionate paean to Barbie is sweeter than it is satirical, slightly more perky than political.
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>Like many fads from the ’90s and early aughts, beanie babies are now getting the Hollywood treatment.
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The greatest enigma “Oppenheimer” poses is recognizing the difference between good and evil and how to act accordingly.
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Johannes Vermeer as a person and a painter remains a mystery, but this documentary expertly probes the brilliance of his art.
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Singing the body electric in “De Humani Corporis Fabrica.”
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Without “The Wizard of Oz,” it’s entirely possible that the David Lynch we know and love wouldn’t exist.
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The acts of reinvention in “Mission: Impossible–Dead Reckoning Part One” are revelatory, object lessons for how all future summer sequels can be written.
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Film Commentary: “How I Learned to Start Worrying and Fear the Bot”
Long before the current writers’ strike, Hollywood was sounding the alarm about the dangers of AI.
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