Film
This is one fine neo-noir, expertly directed by Ridley Scott with a host of superlative star turns from Michael Fassbender, Cameron Diaz, Javier Barden, Penélope Cruz, and Brad Pitt.
Cormac McCarthy’s rambling but brilliant screenplay is given vigorous direction by Ridley Scott, whose elegant visual style captures the tense downward spiral of the film’s doomed characters.
With 12 YEARS A SLAVE, Steve McQueen, the brilliant British director of HUNGER and SHAME, has probably created the first masterpiece of the new black cinema.
I Used to Be Darker is a movie of small pleasures, lots of them.
Mother of George has garnered a rarer-than-rare 100% Rotten Tomatoes rating from critics. Sorry to be the cynical spoiler.
Arts Fuse critics select the best in music, dance, and film that’s coming up this week.
It’s heartening to see a major Catholic institution like Boston College get behind a documentary that, without mercy, attacks the Boston Diocese for its sinful coverup of priest abuse of children.
Director-writer Alexandre Moors, a Parisian living in New York City, builds a credible narrative story of the killer team in the months before their death spree.
Far From Vietnam dared say what no American documentary, even the most radical, would insinuate for fear of being accused of treason: in Vietnam, the Americans were the new Germans.
With an eclectic visual style that includes animation, and narration spoken with conviction by D.C. native Henry Rollins, The Legend of Cool “Disco” Dan tries to accentuate the positive.
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