Bedlam’s provocative production of The Crucible has a purpose — to urge us all to stand up and shout down the devils in our midst.
Few of the numbers in Choir Boy fails to astonish.
Listening to the dead speak, amid the natural grandeur of Mount Auburn Cemetery, is a moving experience.
With The Purists, Dan McCabe has written a comic drama that not only has a lot to say, but does it with an enormous amount of playful vim and vigor.
Carolyn Michel’s Rose is the sociable stranger on the bus who tempts you to miss your stop so you can hear her out to the end.
In a taut 90 minutes, The Lifespan of a Fact zeroes in on some key issues that we’re grappling with as a country — or ought to be.
The Lyric Stage Company of Boston is giving this nostalgic hokum a spirited production.
We are definitely feeling a sense of Buddy haunting us, to be sure. I mean, this theater is the place he visited. He attended many, if not most, of the shows here.
When you do this kind of thing it has to be done with bravura and wit — bad poets borrow, good poets steal.
David Gow’s earnest, intelligent drama about the fragility of identity, though somewhat glibly reassuring, generates powerful moments in this bare-bones production from the Acropolis Stage Company.