Theater
Daniel Okrent’s “Art Isn’t Easy” is an engaging if familiar introduction to one of theater’s most complex figures – though seasoned Stephen Sondheim devotees may find themselves wanting more.
“Rhinoceros” is a powerful wake-up call that, whether we like it nor not, we are writhing on the horns of a dilemma.
In his speculative play “The Antiquities,” dramatist Jordan Harrison has no trouble envisioning earthlings in the post-human age.
Come for the frolic and high energy professional stagecraft; stay to experience this creative ensemble’s answer to: Who the hell are we, facing the end?
Is anyone surprised that playwrights like Kearnan are creating works that show us women who are resourceful — and ready to fight back against their oppressors?
Keiko Green’s play about the end of the world is a robust vaudevillian entertainment.
“Achieving some sort of balance is key; to capture the heart and soul of who we are, and to present that on our stages, so that we continually challenge audiences and surprise ourselves.”
Director Tony Estrella’s version of Ibsen’s tragedy smooths out an energetic path — the action moves along with compelling alacrity.
Joshua Harmon’s play offers numerous instances of familial turbulence, moments of rhapsodic relief and — to avoid spoilers — revelations of how guilt and hostility fuse to create irreparable fissures in the family dynamic.
Theater Commentary: Theater for Young Audiences — What Role Can It Play In Saving Our Democracy?
Meeting today’s challenge—harnessing the performing arts to prepare the next generation to sustain democracy—requires broader collaboration not only with schools and community partners but among TYA companies themselves.
Read More about Theater Commentary: Theater for Young Audiences — What Role Can It Play In Saving Our Democracy?