Theater
Anna Ziegler’s play is based on a true story that still resonates powerfully: how science (and society) hides uncomfortable truths.
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Even when it is well-performed, as it is here, it is unclear whether Noël Coward’s well-constructed comic concoction deserves another theatrical lease on life.
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In the Actors’ Shakespeare Project’s likable staging of As You Like It, love looks pretty durable.
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This American Repertory Theatre co-production gets so many of “Evita”‘s elements right — now all it needs is the musical’s combative soul.
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The Gaaga’s humor is driven by rage, anger, and disgust, emotions that are not often found in our domesticated (for easy consumption) theater scene.
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Set designer Sara Brown creates theater wizardry through the assistance of digital tools, not a magic wand.
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The Prom’s greatest strength is how the musical can be, almost simultaneously, satirical, hilarious, and nuanced.
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A talented cast does its best to add buoyancy to a script weighted down in palaver.
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This pared-down staging of Tony Kushner’s 30 year-old masterpiece invites some reflection, even a kind of nostalgia. But blazing through — with seraphic force — is the harsh reality of how insane we have become.
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And So We Walked is about the performer finding her roots, and that quest is often meandering.
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