Opera
The Boston Early Music Festival announces its 2024-25 season, and our critic welcomes world-premiere recordings of operas by Mondonville and Destouches, splendidly sung and glitteringly played.
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You want Baroque energy and Early Classic poise? Here’s a first-rate recording of a one-act, one-singer opera by Telemann along with some of his imaginative orchestral works.
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A success in 1890s London and New York, the engaging Irish comic opera “Shamus O’Brien” finally gets Its world-premiere recording
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We have a recording of “Déjanire,” its first ever. And it’s splendid, with a superb cast, an insightful conductor, and the orchestra and chorus of the very city in which it was first performed a century earlier!
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When the front page of the newspaper is getting me down, I can feel at least somewhat buoyed by remembering that we live in a world that can produce such profoundly touching and empathetic works of art as Kevin Puts’s “The Hours”.
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Long one of the most-performed French operas, “Le Prophète,” thanks to some splendid performances, feels as vivid and relevant as ever.
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Much praised by Berlioz and others, this Italian opera (composed for the great mezzo María Malibran) brings a notable female composer out of the shadows.
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This world-premiere recording lets us hear one of the most effective recent operas, based on the famous book by Dr. Oliver Sacks.
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French opera arias, many recorded for the first time, by the enchanting tenor Cyrille Dubois. The vocal treasures here include a stirring 1842 denunciation of slavery in the Caribbean.
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The BEMF performed the work in July 2023 in New England Conservatory’s Jordan Hall, to enormous enthusiasm.
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