Spotlight
Every bookshelf becomes a latent crime scene: China’s all-too-familiar totalitarian playbook to encourage self-censorship.
Handsome yet not easily typecast, Sam Neill built a quietly remarkable career playing heroes, villains, lovers, weirdos, and everything in between.
A court-ordered reset in Washington and a self-inflicted rupture in Boston expose deeper failures of leadership, transparency, and trust.
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A reconsideration of the Kennedy Center’s unrealized national mission—and what its future could yet hold.
This substantial collection of the writings of classical music critic Michael Steinberg evokes a time when critics educated, provoked, and helped build cultural life.
Why festival programming—and humanities partnerships—can help the BSO.
A diary of shows attended – good, bad, and indifferent — at this year’s Big Ears Festival, as well as comments on some of the non-musical joys and hassles.
Though Brian Wilson has left us, his enormous musical legacy lives on through a growing series of posthumous CD and vinyl reissues and books.
The Annual Francis Davis Jazz Critics Poll at Midyear: Warming Up a Riff — How It Happened, and Why It Matters
Few things more clearly attest to the endurance of the human spirit and the drive for creativity than the uninterrupted and unstoppable torrent of brilliant new jazz albums we’ve already seen this year.
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