Review
The collection assembles moments of doubt, humor, and revelation into a resonant poetic experience.
Constantine Manos’s bicentennial-era photographs capture a city divided, resilient, and still recognizable half a century later.
This documentary about poet Mary Oliver is a moving study of solitude, partnership, and the stubborn power of wonder.
The “Legally Blonde” prequel “Elle” spotlights a charming Lexi Minetree, but struggles to justify its place in the Blonde-verse.
A sensor-driven dance work probes embodiment, data, and the limits of technological intimacy.
The Tribeca Film Festival is usually best represented by its outliers. This year, a few films earned that status.
Goose’s two-set blitz at Leader Bank Pavilion dovetailed improvisation with irresistibly catchy rock.
A thoughtfully curated program uncovers surprising connections between George Gershwin and Vienna’s early 20th-century avant-garde.
“I’ve Got the Shakes” pieces together a restless, collaborative portrait of a defining avant-garde visionary.
Carla Simón’s dreamlike family drama merges mother and daughter, past and present, in a moving search for identity.
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