Review
It features fine performances, but the comedy-drama, You Hurt My Feelings avoids placing too much on the line. It exists in a comfortable middle ground — nothing is ever taken to an extreme.
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The dehumanization in The Little Mermaid is not just a matter of the absence of craft; at heart, this is a cynical investment that can’t transcend its craven essence.
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Now an octogenarian, Ian Hunter remains a gifted songwriter, a distinctive vocalist, and a man who truly has a rock and roll heart.
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The Prom’s greatest strength is how the musical can be, almost simultaneously, satirical, hilarious, and nuanced.
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A documentary about the female band Fanny asks why the talented LA hard rockers missed out on the big time.
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HER | alive.un.dead proves that some stories are best told by trusting the audience’s imagination.
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What makes Scout Tafoya’s book a radical departure from earlier studies is his in-your-face challenges to John Ford’s character and his racial politics.
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Neighbor is steeped in what could be considered rock ’n’ roll’s golden era — the ’70s. That is when bands could be — and were damn well expected to be— both technically dazzling and broadly appealing.
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America Goes Modern does splendid justice to the genesis of a miraculous design phenomenon.
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