Review
Strong performances and sharper realism redefine Little House on the Prairie for a new generation.
In “Thrikra: Night of Remembering,” Akram Khan’s searing imagery of female ritual and sacrifice is shadowed by what the work chooses not to confront.
At the Tribeca Film Festival, two dramas stood out among the narrative films—stark, street-level tales of addiction and a wintry queer love story turned murder mystery set on a Canadian ship.
A trove of contact sheets reveals Peter Hujar’s working method, restless eye, and the breadth of an underseen archive.
“Move Over, Mona Lisa” maps the “inequality pipeline” linking museums, publishing, and academia—and challenges the systems that shape what the world sees and reads.
The collection assembles moments of doubt, humor, and revelation into a resonant poetic experience.
Constantine Manos’s bicentennial-era photographs capture a city divided, resilient, and still recognizable half a century later.
This documentary about poet Mary Oliver is a moving study of solitude, partnership, and the stubborn power of wonder.
The “Legally Blonde” prequel “Elle” spotlights a charming Lexi Minetree, but struggles to justify its place in the Blonde-verse.
The Annual Francis Davis Jazz Critics Poll at Mid-Year: Warming Up a Riff — How It Happened, and Why It Matters