Review
Nathan Fielder’s “You Can See Everything” turns the Theranos saga into a revelatory, Philip K. Dickian inquiry into artifice, identity, and truth.
Two compelling documentaries at the Boston Palestine Film Festival trace Edward Said’s intellectual awakening and the unfinished search for justice for Alex Odeh.
Founded as a sensational tabloid with right-wing, racist sensibilities, the city’s white working-class voice tried to go upscale — and lost to Rupert Murdoch’s sleazier competitor.
Cristian Mungiu’s Palme d’Or winner asks whether understanding others requires seeing their side—or questioning our own.
Asio Liu’s documentary uncovers the forgotten history of unlisted Vietnamese “boat people” refugee camps in the Penghu Islands in the Taiwan Strait following the end of the Vietnam War in 1975.
A satirical musical that offends everyone equally hides its real argument until the final minutes.
An appreciation of F. Scott Fitzgerald’s most personal novel, in which a marriage’s collapse becomes a searching exploration of love, ambition, and the courage to begin again.
Mike Flanagan’s ambitious update of Stephen King’s classic pairs a superb cast with social media cruelty and an expanding supernatural world that sometimes overwhelms the story.
Dawn M. Simmons directs a taut Southern Gothic thriller in which thwarted longing and the promise of escape turn a Georgia household into a cauldron of suspicion.
At New York’s Art Students League, Robert Cenedella’s grotesque group portrait turns the MAGA elite into a gathering of horned grotesques.
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