Review
John Malkovich and Sam Rockwell skillfully ladle on the caustic comedy, but Martin McDonagh’s latest leaves the moral wreckage of American imperialism largely unexplored.
From TikTok to the concert stage, the singer’s unaffected way with the Great American Songbook suggests a hopeful turn in an AI-drenched culture.
At 90, Boston’s ICA revisits nine decades of boundary-pushing art, institutional reinvention, and a willingness to take risks.
An enchanted forest, a stolen child, and a battle for survival: Travis Knight’s “Wildwood” is as emotionally rich as it is visually dazzling.
In Heller Levinson’s exuberant verbal universe, words acquire bodies, punctuation takes command, and a sustained interrogation of love gives linguistic experiment an emotional charge.
A selkie romance, a dubious life coach, and three couples in crisis: love takes some strange turns at this year’s Woodstock Film Festival.
The Huntington Theatre Company’s staging of Aaron Sorkin’s adaptation finds fresh complexity in Harper Lee’s moral hero, even as uneven performances and distracting choices diminish its power.
A brutally nasty Gotham revenge tale turns a minor Batman villain into the stuff of a major body-horror surprise.
A filmmaker’s interest in a laid-off worker draws two couples into an intimate, uneasy tangle of money, power, and desire.
Book Appreciation: “Gulliver’s Travels” at 300 — Small Men, Tech Bro Delusions
Jonathan Swift’s satire of power, flattery, and human folly feels uncomfortably at home in the age of Trump and artificial intelligence.
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