Review
Tillie Walden’s “Charity & Sylvia” transforms archival fragments into a resonant portrait of devotion in early 19th-century Vermont.
Director Travis Knight’s self-aware reboot turns Reagan-era toy marketing into a surprisingly sharp, character-driven comedy about power, nostalgia, and growing up.
Arpeggione Ensemble turns music by Schubert, Mendelssohn, and Mahler into a resonant chamber seascape.
Gabriel Graetz and Paul Melendy power Charles Ludlam’s camp classic, even as a stripped-down design leaves some comic potential untapped.
This was not genre-pushing experimentation. Kurt Rosenwinkel’s tunes stayed well within recognizable patterns of chords and rhythms, but the inventive craft alerted the ear at every turn.
Prolific avant-garde composer, saxophonist, arranger, producer, and improviser John Zorn led a sharply attuned band through knotty takes on his Masada songbook.
At Shalin Liu, Skylark pairs Poulenc’s “Figure humaine” with Civil War–era music in a program of striking contrasts
In a sweeping account of the nation’s anniversary milestones, Eddie Glaude Jr. shows how whitewashing and racial exclusion have shaped America’s self-image from 1826 to 2026.
Rebecca Novack’s debut blends murder mystery and social satire in a sly, shape-shifting narrative driven by a sex worker who may be telling us exactly what we want to hear.
Allison Janney and Andrew Rannells star in a bittersweet new drama about grief, love, and second chances.
Arts Commentary: The Kennedy Center and the Boston Symphony Orchestra — A Tale of Two Crises