Review
A sensor-driven dance work probes embodiment, data, and the limits of technological intimacy.
The Tribeca Film Festival is usually best represented by its outliers. This year, a few films earned that status.
Goose’s two-set blitz at Leader Bank Pavilion dovetailed improvisation with irresistibly catchy rock.
A thoughtfully curated program uncovers surprising connections between George Gershwin and Vienna’s early 20th-century avant-garde.
“I’ve Got the Shakes” pieces together a restless, collaborative portrait of a defining avant-garde visionary.
Carla Simón’s dreamlike family drama merges mother and daughter, past and present, in a moving search for identity.
With Carlos Simon’s “Four Black American Dances,” the Pittsburgh Symphony offers a thoughtful and resonant recontextualization of Dvořák’s Ninth.
Currently running at the Joyce Theater, “Trips” pairs classic Pilobolus works with new creations, reaffirming what has made the company one of dance’s most distinctive ensembles.
Billy Bragg reunion, festival deep cuts, and a weekend of discovery turn MASS MoCA into a communal music feast.
A rich six-disc set documents a fiercely original voice at the height of its powers.
The Annual Francis Davis Jazz Critics Poll at Mid-Year: Warming Up a Riff — How It Happened, and Why It Matters