Review
A pair of concerts at the Shalin Liu Performance Center paired elegy, bite, and virtuosity in vividly different ensemble settings.
A rare, must-see gathering of Paul Klee’s satirical and prophetic drawings reveals how his angels, dictators, and “degenerate” visions saw Nazi Germany all too clearly.
“Recomposed” finds music poised between imaginative possibility and the entrenched economics driving environmental harm.
The Guess Who and Don Felder bring skill and spirit to Boston, though nostalgia comes packaged with more than a few modern annoyances.
Michael Klein’s new collection weaves brushes with artistic giants into candid meditations on addiction, desire, and survival.
A reconfigured band and evolving arrangements made Bob Dylan’s Boston set vital, strange, and rooted in “Rough and Rowdy Ways.”
DC/DOX spotlights documentaries that confront the human cost of tourism, policing, and surveillance—alongside bold experiments in nonfiction form.
Big questions, wild beasts, and one very independent pet
Walter Lippmann defined objectivity as the fair-minded pursuit of the truth, but all too often it has degenerated into false equivalence. Tara Henley tries to have it both ways.
Director Christopher Nolan’s ambitious and challenging epic is an ode to the end of civilization.
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