Review
Two productions set out to reinvent Andrew Lloyd Webber’s back catalog. Only one of them succeeds.
If a truly trans cinema canon is to exist, then it must reclaim authorship over how trans people and narratives are represented on screen by giving trans artists the means and opportunity to create a cinema of their own.
The spirit of Frederick Wiseman lives on at the IFFBoston.
A Boston-based ensemble blends Indian classical forms with contemporary dance to probe birth, patriarchy, and migration.
A rigorously faithful “Stranger” that nonetheless reframes the novel’s moral center in worthy, modern ways.
Mike Rivard’s rotating collective has blended dub, jazz, Moroccan trance, funk, electronica, hip-hop, and prog into its heady stew.
Two standout releases showcase adventurous composition, tight ensemble interplay, and the next wave of trumpet-driven jazz.
Turn the lake into a lotus pond and you can take it from there.
Jubilant collages, TV motifs, and immersive rooms celebrate 25 years of Black artist Derrick Adams’s inventive practice.
A sharp, locally grounded dramedy that captures the contradictions of suburban Southern California — and the steep cost of survival for young women.

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