Review
A brisk, galvanizing portrait of “Democracy Now!”‘s Amy Goodman and the stubborn fight for adversarial journalism.
The smoke drifting over the set is a metaphor for the mind-fogging rhetoric of Willy Loman’s phony boosterism. He has been adrift in an American dream that was a lie all along.
SpeakEasy Stage’s musically rich production grips with its performances, even as the drama struggles to fully deepen its tale of a crisis at sea.
A brief, haunting meditation homing in on the final weeks—and thoughts—of the ailing Gustav Mahler during his voyage back to Europe.
Ross Barkan is a good enough of a writer to have avoided the trap of making this novel just an anti-Trump protest.
Part four of a run-down of live-action narrative shorts. As usual for the IFFBoston, the quality is high, with intriguing subject matter and technical polish.
The Berlin International Film Festival had two major premieres this year — a vampire parade and a war saga in Ethiopia.
Part three of a run-down of live-action narrative shorts. As usual for the IFFBoston, the quality is high, with intriguing subject matter and technical polish.
Part two of a run-down of live-action narrative shorts. As usual for the IFFBoston, the quality is high, with intriguing subject matter and technical polish.
Fest Review: IFFBoston Shorts — Part One
Part one of a run-down of live-action narrative shorts. As usual for the IFFBoston, the quality is high, with intriguing subject matter and technical polish.
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