Review
Tatiana Maslany anchors a cluttered but compulsively watchable thriller about cam culture, murder, and a very stressed-out mom.
Archival releases document the contrasting styles and shared brilliance of pianist Bill Evans, Ahmad Jamal, Thelonious Monk, and Cecil Taylor on the bandstand.
Jean Trounstine’s debut blends hard-won insight with high drama in a prison story of guilt, resistance, and survival.
Visually beguiling, “Silent Friend” may probe the mysteries of consciousness, but it has little on its mind.
Judith Grohmann’s biography restores a complex cultural force too often reduced to muse and myth.
Lam Dance Works pairs visiting virtuosity with emerging dancers, revealing both the promise and growing pains of a young Boston troupe.
An MFA exhibition traces how Amsterdam’s Jewish community shaped the artist’s imagination, revealing a rich interplay of daily life, biblical narrative, and cultural exchange.
HBO’s adaptation blends historical grit with balletic fight choreography, elevating the live-action anime genre.
In this volume, Gregory Orr revisits a lifetime of poetic concerns with grace, though not always with urgency.
A persuasive case for MacDowell’s orchestral voice, led by pianist Xiayin Wang and conductor John Wilson.
Arts Commentary: The Kennedy Center and the Boston Symphony Orchestra — A Tale of Two Crises