Review
Marjorie Garber’s case for poetry as resistance proves more fanciful than persuasive.
A new collection of Harold Bloom’s letters reveals a critic who found the heights of Western literature far more inviting than the “drab” reality of a Vermont forest.
Poet Adrian Matejka distills identity, anti-racist critique, political commentary, and literary history into rapid left-right-left punches, each landing hard.
With chemistry forged on tour, the group fuses jazz, punk, and prog into a fluid live assault.
Curry Barker’s debut turns dating, consent, and loneliness into a bleak and deeply felt horror tragedy.
Director James Cameron’s 3D concert film captures the awe, pressure, and near-religious devotion of Billie Eilish’s fanbase.
Today, Tracey Emin occupies a singular place in contemporary art, where autobiography, confession, and institutional framing converge within a shared system of visibility.
A remarkable young cast anchors Netflix’s “Lord of the Flies,” a haunting adaptation that resonates sharply with today’s anxieties about masculinity and violence.
A focused museum show revisits the radiant ambition—and shifting fortunes—of a Color Field innovator.
At Project Save, thirty black-and-white photographs capture the tenderness, turmoil, and enduring spirit of the Armenian experience.
Arts Commentary: The Kennedy Center and the Boston Symphony Orchestra — A Tale of Two Crises