Review
In “The Age of Migration,” Kai Maristed follows displaced characters through political danger, private desperation, and unexpected acts of survival.
Separated by 35 years, new releases from Blake–Eade and Goodrick–Hersch illuminate jazz at its most intimate—where interpretation, history, and shared sensibility converge.
A pair of concerts at the Shalin Liu Performance Center paired elegy, bite, and virtuosity in vividly different ensemble settings.
A rare, must-see gathering of Paul Klee’s satirical and prophetic drawings reveals how his angels, dictators, and “degenerate” visions saw Nazi Germany all too clearly.
“Recomposed” finds music poised between imaginative possibility and the entrenched economics driving environmental harm.
The Guess Who and Don Felder bring skill and spirit to Boston, though nostalgia comes packaged with more than a few modern annoyances.
Michael Klein’s new collection weaves brushes with artistic giants into candid meditations on addiction, desire, and survival.
A reconfigured band and evolving arrangements made Bob Dylan’s Boston set vital, strange, and rooted in “Rough and Rowdy Ways.”
DC/DOX spotlights documentaries that confront the human cost of tourism, policing, and surveillance—alongside bold experiments in nonfiction form.
Big questions, wild beasts, and one very independent pet
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