Review
Sharon Rothstein’s sharp drama shifts the focus from censorship to the corrosive culture of public shaming.
Apple TV’s reboot leans into slow-burn menace over Scorsese-style excess, with Javier Bardem channeling the original film’s unnerving restraint.
Steven Spielberg revisits extraterrestrial wonder with technical virtuosity, but his media-age fable drifts into sentimentality and soft-focus optimism.
Jonathan Spector’s successful satire finds biting comedy—and uneasy truth—in the limits of well-meaning consensus.
Dimitri Elias Léger’s novel turns a final moment into a sweeping meditation on love, history, and the Beautiful Game.
“The Yahoo Boys” dissects a global grift fueled by digital intimacy, economic despair, and willful belief.
At Indian Ranch, Little Feat balances nostalgia and renewal in a high-caliber stop on its “Last Farewell Tour.”
Orchestral splendor meets interpretive risk in two Mahler releases.
Suzy Hansen’s “From Life Itself” traces the human cost of modernization and authoritarianism in a changing city.
Selma Meerbaum-Eisinger’s poetry carries historical weight, but Carlie Hoffman’s translations struggle to convey the formal poise of the originals.
The Annual Francis Davis Jazz Critics Poll at Mid-Year: Warming Up a Riff — How It Happened, and Why It Matters