Music

Music Festival Review: Big Ears 2026 — Guitars, Big Bands, and a World of Unhinged Sounds

April 2, 2026
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Over four days of listening (and walking), we found that the 13th Big Ears reaffirmed its reputation for daring curation—fostering a community of eager listeners always ready to discover something new.

Concert Review: Opera Meets Realpolitik — “Nixon in China” Resonates Amid the BSO’s Own Power Drama

April 1, 2026
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Last Friday night, conductor Andris Nelsons and the musicians came on stage together wearing red carnations as symbols of solidarity. The applause was immediate and fervent.

Jazz Album Reviews: Ella and Bennett Revisited — April Varner Rises, John Pizzarelli Holds Back

March 31, 2026
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April Varner, a rising star in this new generation of female jazz singers—which happily seems full of them—pays homage to Ella Fitzgerald; John Pizzarelli’s recording is an early entry in the no-doubt long list of tributes celebrating Tony Bennett’s 100th birthday.

Jazz Concert Review: Gerald Clayton Trio at the Regattabar — Swing with Soul and Subtlety

March 30, 2026
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The relaxed intensity of the band was apparent from the get-go.

Album Reviews: Latin Flair and Jazz Fire — Edward Simon and Alfredo Rodríguez Redefine the Songbook

March 30, 2026
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Strong albums from trios led by pianists Edward Simon and Alfredo Rodríguez.

Music Commentary: Brian Wilson’s Legacy Thrives — 2026 Reissues Reviewed

March 30, 2026
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Though Brian Wilson has left us, his enormous musical legacy lives on through a growing series of posthumous CD and vinyl reissues and books.

Classical Album Review: “Piano Heroines” — Claire Huangci Unearths Forgotten Brilliance

March 29, 2026
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This a superb album, smartly programmed and brilliantly played.

Jazz Album Review: Blowin’ in the Groove — Javon Jackson’s Jazz Tribute to Bob Dylan

March 27, 2026
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Javon Jackson’s homage to Bob Dylan is well thought out and beautifully rendered.

Jazz Concert Review: John Scofield Trio Trades Flash for Finesse in Regattabar Set

March 23, 2026
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The jam-rock vibes and gnarly blues licks that Scofield showcased in many of his projects over the years weren’t evident in Saturday’s laid-back final set of his trio’s two-night stand.

Opera Review: Odyssey Opera’s “The Last Savage” Finds Wit and Warmth in Menotti’s Madcap Satire

March 22, 2026
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By Aaron Keebaugh The Last Savage delivered good tunes, a delightfully twisted story, and all-around cheer. As a librettist, Gian Carlo Menotti held a critical mirror up to society, often probing the psychological fault lines of his operatic targets. Yet, though he would often question what he saw around him, his works, no matter how…

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