Music
An evening of obscure blues, early jazz, and New Orleans swing eventually overcame an absent vocalist, a substitute washboard player, and a concert-hall setting.
Derek Trucks, Susan Tedeschi, and their 12-piece ensemble moved effortlessly from blues and soul to free jazz, psychedelia, and a deeply felt “Ohio.”
Arnold Östman’s first complete recording makes a powerful case for Wilhelm Stenhammar’s long-neglected Norse opera—despite the intrusive directorial alterations preserved from Malmö Opera’s 2011 staging.
On its lively new recording, the Boston chamber group gives buoyant, colorful, and sharply characterized performances of three works by a longtime MIT composer.
The sisters’ new ECM recording catches the volatile interplay of lyricism and menace in a compellingly programmed set.
Rob Duguay talks to members of Tiny Habits about the folk-pop band’s beginnings and the creative process behind its new album, “Keepers.”
Josh Alexander’s intimate studio documentary follows Sara Bareilles and her collaborators as they shape songs of infertility, bereavement, friendship, and collective consolation.
Violinist Anne-Sophie Mutter’s latest Alpha recording pairs two late works by André Previn with Sebastian Currier’s witty, searching “Ringtone Variations.”
A newly released 1977 collection documents the Cramps making the past feel dangerous again.
At Brighton Music Hall, Boston’s avant-punk legends capped Mark Kates’s label anniversary with a surprisingly potent four-song set and a tribute to the late Jeff “Monoman” Conolly.
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