Music

Jazz Album Review: Clarinetist Harry Skoler’s Cautiously Experimental Sonic Experience

June 21, 2026
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“Echoes” honors jazz tradition while slipping gracefully into a modern, oblique swing.

Classical Album Review: Paul Huang Performs Korngold & Barber Violin Concertos

June 19, 2026
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A polished, detail-rich account of two lyrical concertos, distinguished more by clarity and refinement than by risk or fire.

Arts Commentary: The Kennedy Center and the Boston Symphony Orchestra — A Tale of Two Crises

June 18, 2026
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A court-ordered reset in Washington and a self-inflicted rupture in Boston expose deeper failures of leadership, transparency, and trust.

Jazz Concert Review: The Bill Frisell Trio — This Old Cowpoke was not in the Mood

June 15, 2026
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When a favorite artist disappoints, is the fault in our stars or in ourselves?

Classical Album Review: “Guitar America 250 — Revolutionaries and Rockstars”

June 15, 2026
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Guitarist Aaron Larget-Caplan’s ambitious survey reframes the American story through guitar, poetry, and protest.

Arts Commentary: What Might the Kennedy Center Best Become?

June 14, 2026
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A reconsideration of the Kennedy Center’s unrealized national mission—and what its future could yet hold.

Concert Review: Claypool Gold — Three Bands, One Brain, Infinite Detours

June 12, 2026
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Claypool Gold tour turns Leader Bank Pavilion into a shifting laboratory of psychedelia, satire, and virtuosic groove.

Rock Album Review: Sourpunch Shakes Them Bones (sort of)

June 12, 2026
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A punchy live band loses its spark in a muddled, underpowered studio outing.

Rock Album Review: Signals and Static — Goose’s “Big Modern!”

June 11, 2026
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The jam band’s most thematically focused album yet turns digital overload into anxious, shape-shifting rock.

Concert Review: Little Feat’s Farewell Tour — No Signs of Fadeout

June 8, 2026
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 At Indian Ranch, Little Feat balances nostalgia and renewal in a high-caliber stop on its “Last Farewell Tour.”

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