Review
If the theater really mirrors life, then you can bet we’re in for some drastic changes and adjustments, even on Broadway.
Texturally, François-Xavier Roth and Les Siècles’ serve up diaphanous performances.
Television artist Bob Ross just wanted to share his love of painting with viewers. His business partners had other ideas.
One of the year’s stand-out releases: full of wonderful music, all of it well worth getting to know, and played to the hilt.
It’s hard to adequately describe what a momentous exhibition this is.
A haunting vision of lost souls who emerge from the Icelandic ice, naked, hungry and seeking communion with those they left behind.
What’s on the screen rings true, but Fire Music falls short of being fair to history.
Evangelion is my personal Rosetta Stone, allowing me to decipher everything from psychoanalytic theory and gender relations to my very own understanding of trauma and the world in which I inhabit.
The Chair asserts that professors have lives outside the university and they are demanding and draining.
There’s a pleasing variety in this collection, which serves up valuable music that might not have otherwise been heard.
Concert Review: Yo-Yo Ma Elevates a Dispiriting Boston Symphony Orchestra Opening Night