Review

Dance Review: Twyla Tharp’s Boston Show

December 17, 2018
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Dressed in cream-colored pants, a crisp white shirt, sneakers, and big owlish spectacles with red plastic frames, Twyla Tharp played the professor in the first part of the 90-minute show.

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Concert Review: Soca and Calypso Fans go “Crazy” for Parang

December 17, 2018
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Septuagenarian, Edwin Ayoung, better known as Crazy, easily carried the rest of the night with his exuberant performance.

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Book Review: “In the Galway Silence” — Another Tour of Hell

December 15, 2018
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Jack Taylor’s world is very much our world and his despair is our despair.

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Film Review: “Ben is Back” — Raising an Addict

December 15, 2018
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Films like Ben is Back will not foster an understanding of how drug addiction ravages the lives of the poor, the incarcerated, the uneducated, and the less fortunate.

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Visual Arts Review: Surrealism — One of America’s Favorite Art “isms”

December 15, 2018
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Despite its serious treatment of surreal art, Monsters & Myths is a real delight.

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Film Review: “Roma” — A Soulful Masterpiece

December 14, 2018
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Roma is Alfonso Cuarón’s gorgeous, neorealist ode to his formative years growing up in ’70s Mexico City, and to the housekeeper he took for granted as she carried him through that tumultuous decade.

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Book Review: “Playing Changes” — Redefining Jazz

December 13, 2018
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This volume is clearly critic Nate Chinen’s resounding response to the “jazz is dead” chant.

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Classical Music Review: Tallis Scholars — Dependable Delight

December 12, 2018
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The Tallis Scholars are unquestionably today’s most renowned exponent of Renaissance sacred music.

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Theater Review: “The Miraculous Journey of Edward Tulane” — Rabbit Transit

December 11, 2018
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The company’s staging is dynamic and vivacious, and the unconventional seating arrangements give audience members the chance to place themselves in the center of the action.

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Classical CD Review: Best Opera Recording of the Year — Or is it Best Musical?

December 11, 2018
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None of the opera recordings I have reviewed this past year beats this Cradle for dramatic vitality, musical imagination, and ongoing political relevance.

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