Review
It is safe to predict that the winner in this category will be one of the entries that squares off against mortality.
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This studio outing emphasizes superb ensemble playing; the result in a beguiling album in which just about every note shines.
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Russian Doll is television made to be savored.
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Anchored by the assured direction of Cailin Doran and Jade Wheeler’s dazzling performance, Who is Eartha Mae? sings with truth.
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Despite the soap opera details, Everybody Knows never becomes implausible.
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The generally enjoyable Bedlam production of Pygmalion doesn’t quite settle for the glucose bait.
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What makes Portland Stage’s production of Earnest such a delight is its physicality.
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Mark Morris and Ethan Iverson chose songs from the famous album for reflection and extrapolation. What they made is an entertainment, a romp for the company’s terrific dancers.
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Shame on you, Academy, for such feeble, uninspired, downer picks.
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It’s worth pointing out that Sabahattin Ali has deliberately reversed traditional gender roles in Madonna in a Fur Coat.
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Music Commentary: New Orleans Jazz and Heritage Fest versus French Quarter Fest