Review
A quartet of highlights from this year’s Toronto International Film Festival: Anatolian Leopard, Dashcam, One Second, and Dug Dug.
One could hardly ask for more persuasive Bruch advocacy than what the Nash Ensemble offers here.
Is Amy Bonnaffons saying that heterosexual love is doomed? Probably not. But she gives no indication it can work in the world she creates here.
The Temple University students in this fine big band homage to the late saxophonist/composer Jimmy Heath sound professional — tight and well rehearsed. They are joined by all-stars Joey DeFrancesco and Christian McBride.
Here is an outstanding recording from the Escher String Quartet of music by two stylistically divergent 20th-century American composers, Samuel Barber and Charles Ives.
You would never suspect from this big ol’ rock ’n’ roll show that The Black Crowes was essentially toast just a few years ago.
Blue Bayou’s story deserves to be told and heard. But rather than focus slowly and intently on its central crisis, the script kneads in a dizzying array of additional threads and sidelines.
The bizarre half hour animated comedy is a hilarious love letter to The Windy City.
Whether we call this slim volume poetic prose or prose poetry, a novella or a collection of verse, seems beside the point. It is haunting, hypnotic, and moving.
After having diagnosed the ails of modernity, screamed out his most deeply held traumas, and shrugged off his role in the biggest band ever, John Lennon is content to have a riverside cuddle under a tree in the sun with the woman he loves. Amen.
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