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Film Review: Disney’s Revamped “Jungle Book” — A Remarkable Remake

April 25, 2016
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Those familiar with –and, like me, in love with — the 1967 animated Disney film, may fear (as I did) that the new version would substitute CGI for story.

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Concert Review: Boston Symphony Orchestra’s Season Finale

April 25, 2016
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There’s an apparent level of trust between the BSO and its leader, best demonstrated by the spirited excellence of the orchestra’s playing of late.

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Restaurant Review: The Table — A Memorably Delicious Destination Location

April 25, 2016
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The Table is serving a nightly prix fixe menu that will win over the palates of the most finicky foodies.

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Film Review: “Elvis & Nixon” — Together Again

April 24, 2016
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Elvis Presley and Richard Nixon connect in their joint emotional poverty in this funny, charming, yet somewhat fluffy film.

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Dance Review: Hubbard Street Dance Chicago Comes to Boston — Sensorial Satiation

April 24, 2016
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The latest show from the superb Hubbard Street Dance Chicago had something for all of the senses.

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Fuse Preview: Jazz Week 2016 — New Traditions Take Root

April 23, 2016
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From Roxbury to Mattapan to Beacon Hill to City Hall, new and not-so-new events are becoming annual features of Boston Jazz Week.

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Theater Review: Actors’ Shakespeare Project Serves Up a Genial “School for Scandal”

April 23, 2016
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The School for Scandal hasn’t dated a jot: put Snake, Mrs. Candour, and Mrs. Sneerwell on Facebook and watch civilizations totter.

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Film Review: Jazz Trumpeters Miles Davis and Chet Baker — Dueling Biopics

April 23, 2016
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The real advantage Born To Be Blue has over Miles Ahead is that it uses the music as a way to get into the soul of its title character.

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CD and Concert Review: Harnoncourt conducts Beethoven (Sony Classical), Bernard Haitink conducts Mahler

April 23, 2016
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Nikolaus Harnoncourt’s final recording is the conductor at his best. Bernard Haitink helmed a great performance of Mahler’s Symphony no. 1.

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Fuse Appreciation: Henry Threadgill — A Pulitzer Prize for “In For a Penny, In For a Pound”

April 22, 2016
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Over the decades, avant-garde jazz musical Henry Threadgill has not only enriched but remade the musical landscape.

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