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Tatiana Maslany anchors a cluttered but compulsively watchable thriller about cam culture, murder, and a very stressed-out mom.
Archival releases document the contrasting styles and shared brilliance of pianist Bill Evans, Ahmad Jamal, Thelonious Monk, and Cecil Taylor on the bandstand.
Visually beguiling, “Silent Friend” may probe the mysteries of consciousness, but it has little on its mind.
Judith Grohmann’s biography restores a complex cultural force too often reduced to muse and myth.
This week’s poem: Jim Behrle’s “There’s Cake in the Break Room”
Lam Dance Works pairs visiting virtuosity with emerging dancers, revealing both the promise and growing pains of a young Boston troupe.
An MFA exhibition traces how Amsterdam’s Jewish community shaped the artist’s imagination, revealing a rich interplay of daily life, biblical narrative, and cultural exchange.
HBO’s adaptation blends historical grit with balletic fight choreography, elevating the live-action anime genre.

Stage Commentary: Where’s the Fire? Boston Theater’s Cautious Return to Relevance
After a year of safe revivals and recycled material, companies hint at change—but caution, celebrity casting, and déjà vu still dominate the lineup.
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