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Martin Scorsese’s feverish New York classic remains a master class in urban atmosphere and subjective filmmaking—and a chilling study of how alienation curdles into violent fantasy.
Wilbert L. Cooper examines the paradox of Black police officers seeking safety and status inside an institution shaped by racial violence.
In her Boston solo premiere, “Rāgachitra,” the former Nrityagram artist draws on a lifetime in classical Indian dance to create searching, contemporary works shaped by memory, mythology, gender, and an inward turn.
In Vlady Kociancich’s newly translated Argentine novel, an indecisive Buenos Aires lawyer wanders through Berlin, cinema, erotic fantasy, and a reality that may be entirely of his own making.
An exuberant documentary traces the British Invasion star’s serendipitous path from Peter and Gordon to producing James Taylor and Linda Ronstadt.
Violinist Anne-Sophie Mutter’s latest Alpha recording pairs two late works by André Previn with Sebastian Currier’s witty, searching “Ringtone Variations.”
A newly released 1977 collection documents the Cramps making the past feel dangerous again.
Carter Vaughn Findley’s “Dreams of Empire” charts the endurance, diversity, achievements, and eventual dissolution of a state that bound East and West for nearly six centuries.
Sunny Sandler gives a quietly affecting performance in a heartfelt, unsentimental coming-of-age drama about a high school musical, a mother’s cancer recurrence, and the precarious coexistence of sorrow and joy.
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