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Steven Spielberg revisits extraterrestrial wonder with technical virtuosity, but his media-age fable drifts into sentimentality and soft-focus optimism.
Jonathan Spector’s successful satire finds biting comedy—and uneasy truth—in the limits of well-meaning consensus.
Dimitri Elias Léger’s novel turns a final moment into a sweeping meditation on love, history, and the Beautiful Game.
“The Yahoo Boys” dissects a global grift fueled by digital intimacy, economic despair, and willful belief.
At Indian Ranch, Little Feat balances nostalgia and renewal in a high-caliber stop on its “Last Farewell Tour.”
Orchestral splendor meets interpretive risk in two Mahler releases.
Palestinian scholar Lelia Farsakh reflects on a life shaped by displacement, her father’s legacy, and the political and personal stakes behind her emerging memoir.
Our expert critics supply a guide to film, visual art, theater, author readings, television, and music. More offerings will be added as they come in.
Suzy Hansen’s “From Life Itself” traces the human cost of modernization and authoritarianism in a changing city.
Selma Meerbaum-Eisinger’s poetry carries historical weight, but Carlie Hoffman’s translations struggle to convey the formal poise of the originals.
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