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Goose’s two-set blitz at Leader Bank Pavilion dovetailed improvisation with irresistibly catchy rock.
A thoughtfully curated program uncovers surprising connections between George Gershwin and Vienna’s early 20th-century avant-garde.
The week’s poem: Tracey McTague’s “it’s a scarlet tanager kind of day”
“I’ve Got the Shakes” pieces together a restless, collaborative portrait of a defining avant-garde visionary.
Carla Simón’s dreamlike family drama merges mother and daughter, past and present, in a moving search for identity.
With Carlos Simon’s “Four Black American Dances,” the Pittsburgh Symphony offers a thoughtful and resonant recontextualization of Dvořák’s Ninth.
Currently running at the Joyce Theater, “Trips” pairs classic Pilobolus works with new creations, reaffirming what has made the company one of dance’s most distinctive ensembles.
Billy Bragg reunion, festival deep cuts, and a weekend of discovery turn MASS MoCA into a communal music feast.
Each month, our arts critics — music, book, theater, dance, television, film, and visual arts — fire off a few brief reviews.
A rich six-disc set documents a fiercely original voice at the height of its powers.
Arts Commentary: Trump’s War on the Kennedy Center Is a War on Culture Itself