Review
Klaus Merz’s cunning, compressed prose invites us to listen for the sounds of the inexpressible, the other side of life.
Writer-director Nacho Vigalando blows to bits his love story and morphs his movie into a totally bonkers horror flick.
Mitsuko Uchida is quite possibly the finest Mozart pianist around today, at least among non-period specialists.
Apollinaire Theatre Company has done delightful justice to this zesty rejuvenation of a didactic dramatic chestnut.
Seeing the rugged minimalism of golf in its infancy was very appealing.
Sometimes new music isn’t really new and old music isn’t actually old; the best of it exists on some other plane entirely.
Get Out owes much to the small but precious film genre that dares to cultivate bizarre and hip satire.
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