Review
SpeakEasy Stage Company’s production of Shakespeare in Love comes off as lovely, temperate, and at least a little trite.
To the end of his life, David Bowie was excited about creating innovative sounds and collaborating with new musicians.
De Hamel’s history is a detective story, a love story, and a revelation of the nourishment to be found in celebrated libraries and collections.
KNYUM is unlike anything else New England theatre currently has to offer — in the best possible way.
Performance has always included sex and physicality in its attractions. Koubi’s work tries to move the spectators to a higher level.
We Bostonians are a tough bunch and the Remains had a tough sound. That’s what Boston music should be remembered for.
Ada/Ava is an impressive theatrical feat that finds a new, and invigorating, way of telling a story on stage.
I love the way Blame captures the kaleidoscopic emotional experience of being a teenage girl.
Three incisive visions of what’s to come from largish groups of committed musicians.
Steven Spielberg’s political timing is nearly perfect, and so is his film.
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