Review
Chill is a solid enough attempt to dramatize a millennial coming-of-age story, but it is reluctant to probe very deeply into the guts of the zeitgeist.
There are powerful intimations of modernity in the writhings of Edwin Booth’s psyche.
Questioning Joshua Sobol’s right to write about these kinds of intimate atrocities is to suggest that stages should never address these issues.
Canoa is a historical drama about the horror of history, made all the more frightening because it is based on a true story.
This invigorating, sometimes unpredictable, Beethoven-heavy program certainly offered its share of athleticism and energy.
A documentary about the most important songwriter and record producer from the sixties that you’ve never heard of.
Vasily Petrenko and the Royal Liverpool Philharmonic Orchestra serve up some curious and, from time to time, rather languorous Elgar.
Kylián’s astute choice of musical selections helped gave a structural shape to “Wings of Wax.”
The result is reminiscent of a Mark Rothko painting — if it was projected through the refracted light of a prism.
With each piece, the impressive physicality of Kodō’s drummers becomes even more theatrical.
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