Review
This thoroughly cockamamy world offers the kind of guilty pleasure that you hope never ends.
Alannah Hopkin demonstrates a near impeccable sense of craft, including a talent for coming up with surprises.
There aren’t too many ensembles around that consistently remind us how fresh, rich, diverse, and thought-provoking contemporary can be.
Many of the poems live up to the title’s shout-out to Walt Whitman, cutting through the current political miasma with fresh wit, insight, and lyrical outrage.
This is the largest exhibition of Botticelli paintings ever mounted in North America. Bigger may not always be better, but this is a gorgeous show.
Dancer/choreographer Maureen Fleming’s highly distinctive style of movement is unforgettable.
Violinist Anne-Sophie Mutter gave a searing, intense reading of the solo part in Nostalghia (In Memory of Andrei Tarkovskij).
From the homogeneous small town of Spettacolo, we travel to One October‘s ethnic gumbo of eight million in New York City.
So, what is one to make of the BPYO’s weekend effort? It was a bit bold, to be sure. But it was also stirring, heartfelt, and timely.
The absurdist comedy Sylvio suffers from chronic low energy, but Tormenting the Hen is mysterious and magnetic.
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