Music
Rarely does a book leave me questioning the ways in which I understood, or thought I understood, the construction of some of the most formative solos in jazz history.
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Springtime hits are on doubt on their way, but let’s not forget about February.
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When it comes to jazz, you can be pretty confident that when you put excellent players together — whether they know each other or not — something very good will happen. And it did.
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Richard Pittman led the core players of BMV in a confident, evocative reading of the music.
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The Boston Lyric Opera is mounting a fabulous staging of Benjamin Britten’s visceral opera.
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Hal Blaine contributed so much to such a large number of rock and pop’s greatest hits, that his music will continue to be heard and appreciated for as long as there are radios.
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Whom can we thank at the Boston Symphony Orchestra for choosing James Carter to be the featured saxophone soloist in March 23’s concert at Symphony Hall?
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A 1962 concert performance from Radio Italiana, now on CD, shows how delightful Wagner can sound without barking and slow wobbles.
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The Flesh Eaters have returned with renewed vitality, after it hit some troughs and sputtered to a near stop.
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Jazz Commentary: Jazz and the Single Trumpet Player
Far more people would recognize Chet Baker’s name than Jack Sheldon’s — and that is unfortunate.
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