Music
Nancy Dalberg’s string quartets are worth getting to know, Wynton Marsalis’s violin concerto receives an electrifying performance, and Osmo Vänskä and the Minnesota Orchestra continue to churn out a less than necessary Mahler cycle.
Herbert Blomstedt conducts a powerful version of Mahler’s valedictory essay, organist Christopher Jacobson provides a so-so “Organ” Symphony, and Kirill Petrenko’s initial recording as the chief conductor of the Berlin Philharmonic is lovely.
A can’t-miss album of Bartók Ballets, Thierry Fischer continues to do right by the symphonies of Saint-Saëns, and a spirited recording of the “last great symphony in the German Romantic tradition.”
Michael C. Smith’s new Boston Carnival photo book proves that “Culture Lives Here.”
Mainstay singer/songwriter/guitarist Dave Wakeling and the band were in fine form in Lowell, whipping through a hit-laden 90-minute set to an enthusiastic crowd.
Reviews of three superior vocal recordings, featuring baritone Gerald Finley, tenor Ian Bostridge, and baritone Thomas Meglioranza.
A talk with Dave Mason, a R&R Hall of Famer who will be performing with Electric Hot Tuna at the Wilbur.
Chance’s The Big Day beautifully blends authentic passion with superior talent and special guests with star power.
This Nashvillian has a simple message for America: “You best pull yourself together, or you might never be the same.”
This album lacks the desperation, the immediacy, the sheer power that made Sleater-Kinney essential in its original decade.
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